helga (1)

28:16 3 스피커 7 장 656 세그먼트

  1. 0:01

    Well, thank you Helga for accepting this interview. Maybe just we'll begin to kind of this kind of general question. And you said it in your talks and conference, but I have to record it now. So I just want to know how do you arrive? to thi…

  2. 5:04

    is what I observe what I see and what touches me and I continue to make films but not not thinking I will become a filmmaker but then after a while when I got back my very first film where I sensed that I have, I can use the camera as my me…

  3. 10:06

    Absolutely, yes, yes, yes. I was thinking if these plants that you, you know, it was related with the... proximity you know a kind of possibility an artisan also a mode of production I think that is near you know it's a kind of work in cine…

  4. 15:07

    very short pieces or maximum length three minutes and something. And when I never considered a single film as now, you know, my work, I had the feeling I'm in the process of creation. And a single film is not meant. to be combined with a ne…

  5. 17:17

    And also there's the... You want to say something else? No. No, no. And also, wait, well, two things. You go with your films. It's you and your films. It's not separate things. And also you talk like you get and you make a kind of personal …

  6. 22:21

    the time, when there were different materials, you know, an hectochrome or a codochrome or something, I had sometimes to refocus and to frame lines. So I stood next to the projectionist, the normal projectionist, you give them a film, they …

  7. 27:22

    And yeah, there's, but it is a subject matter. It is not that I want to put on on what I film a structure I see the structure yes and I respond to it yes I think that when you say subject subject is the motive yeah that's what yeah that's t…