K&R2
May 30, 2026 07:32
· 2:39
· English
· Whisper Turbo
· 2 स्पीकर
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0:00
S…
Speaker 1 (K&R2)
One thing I would say is that I think they would need,
0:04
S…
Speaker 1 (K&R2)
they now kind of need to go back from this,
0:07
S…
Speaker 1 (K&R2)
from what they've done,
0:08
S…
Speaker 1 (K&R2)
which was a really achieved bit of performance.
0:12
S…
Speaker 1 (K&R2)
They need now to go back,
0:14
S…
Speaker 1 (K&R2)
the pair of them,
0:15
S…
Speaker 1 (K&R2)
and figure out what their research question actually
0:19
S…
Speaker 2 (K&R2)
is.
0:23
S…
Speaker 1 (K&R2)
I think that's my main comment on it.
0:26
S…
Speaker 1 (K&R2)
Yes,
0:27
S…
Speaker 1 (K&R2)
I found myself picking up some of the same details.
0:30
S…
Speaker 1 (K&R2)
You know,
0:33
S…
Speaker 1 (K&R2)
it's not a gun,
0:34
S…
Speaker 1 (K&R2)
it's a knife,
0:35
S…
Speaker 1 (K&R2)
and I can see it's a knife.
0:38
S…
Speaker 1 (K&R2)
Using the kettle in the last scene,
0:40
S…
Speaker 1 (K&R2)
that could work because that could be played as a joke.
0:42
S…
Speaker 1 (K&R2)
And kind of almost was played as a wild moment of humour.
0:46
S…
Speaker 1 (K&R2)
But the gun knife thing,
0:49
S…
Speaker 1 (K&R2)
that could so easily have been swapped.
0:52
S…
Speaker 1 (K&R2)
Soldiers advanced.
0:53
S…
Speaker 1 (K&R2)
And Ian in the play has a gun.
0:56
S…
Speaker 1 (K&R2)
So details like that could have been...
1:01
S…
Speaker 2 (K&R2)
I want to establish the kind of play as is to then...
1:05
S…
Speaker 2 (K&R2)
shows a departure from it,
1:06
S…
Speaker 1 (K&R2)
you know.
1:07
S…
Speaker 1 (K&R2)
Yeah,
1:08
S…
Speaker 1 (K&R2)
yeah. But again,
1:09
S…
Speaker 1 (K&R2)
another nice moment of variation between the three scenes were the
1:14
S…
Speaker 1 (K&R2)
move into the blackout and the move out of the blackout and the repeated,
1:18
S…
Speaker 1 (K&R2)
the repeated moments.
1:24
S…
Speaker 1 (K&R2)
where the other physically betrayed something about
1:28
S…
Speaker 1 (K&R2)
themselves, about the condition,
1:29
S…
Speaker 1 (K&R2)
or they betrayed something about their emotional state.
1:32
S…
Speaker 1 (K&R2)
One really nice moment.
1:34
S…
Speaker 1 (K&R2)
We come back from the blackout in the first scene and Ian is very
1:39
S…
Speaker 1 (K&R2)
agitated.
1:39
S…
Speaker 1 (K&R2)
We then cut
1:43
S…
Speaker 1 (K&R2)
to that happening in the second scene.
1:51
S…
Speaker 2 (K&R2)
Luke, I don't know who played the oppressed,
1:54
S…
Speaker 2 (K&R2)
but Luke was the oppressor.
1:56
S…
Speaker 1 (K&R2)
Luke conveyed anxiety,
1:59
S…
Speaker 1 (K&R2)
but extremely subtly his hands shook and he
2:04
S…
Speaker 1 (K&R2)
looked at it and stated to himself.
2:06
S…
Speaker 1 (K&R2)
And there was a lovely echo about the more overt anxiety in the first
2:10
S…
Speaker 1 (K&R2)
scene.
2:10
S…
Speaker 1 (K&R2)
And then the third scene doesn't play that anxiety
2:14
S…
Speaker 1 (K&R2)
at all because it doesn't parallel.
2:16
S…
Speaker 1 (K&R2)
So there were easily moments that kind of echoed the parallelations
2:20
S…
Speaker 1 (K&R2)
across the three scenes and I thought they were really,
2:22
S…
Speaker 1 (K&R2)
really well observed and nicely done.
2:25
S…
Speaker 1 (K&R2)
But yeah,
2:27
S…
Speaker 1 (K&R2)
I thought it was an excellent piece of work.
2:30
S…
Speaker 2 (K&R2)
It really was.
2:31
S…
Speaker 1 (K&R2)
Which was moving towards an investigation.
2:34
S…
Speaker 1 (K&R2)
And the defining of a question that they haven't put.
2:37
S…
Speaker 2 (K&R2)
You've got to figure it out,
2:38
S…
Speaker 1 (K&R2)
yeah.
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