futurismo 1

May 01, 2026 10:06 · 35:46 · English · Whisper Turbo · 3 speakers
या ट्रान्सक्रिप्टची मुदत संपते 17 दिवस. स्थायी संचयीका करीता अद्ययावत करा →
Lecture Index
फक्त दर्शविले जात आहे
0:07
S… Speaker 3 (futurismo 1)
Thank you very much.
1:28
S… Speaker 2 (futurismo 1)
In Germany it's almost better in a cream oven. That's why I'm all sick. It's less than 3 degrees.
1:51
S… Speaker 2 (futurismo 1)
In fact, I started to tossir when I arrived in Italy. We go to a place where we go, and then we go to the hotel, and then we go to the hotel and then we go to the hotel.
2:17
S… Speaker 1 (futurismo 1)
because we have a division in two parts. Then, let's see the picture of April 27.
3:15
S… Speaker 1 (futurismo 1)
Allora, la verifica è scritta del 27 aprile, non c'è più, e la 27-29, non c'è più perché facciamo quella del 7 di maggio la situazione. Il giorno del settore? Il giovedì, io con voi non ho lezione, ma sono sei ore.
3:57
S… Speaker 1 (futurismo 1)
so we can decide to start the interrogation from the 4th of 4th of 4th
4:29
S… Speaker 1 (futurismo 1)
All right, so you have a vote of literature and two themes, so you have three votes, you will have a vote of literature and the last one you have five votes.
4:52
S… Speaker 1 (futurismo 1)
Thank you very much.
5:01
S… Speaker 2 (futurismo 1)
I finish Dante because I want to do the 15, 17, 33, but I don't ask. It's obvious that what I did in class with Dante is the program of Italian literature.
5:22
S… Speaker 2 (futurismo 1)
So I'll put it in the program. It's not my habit to ask for an exam.
5:31
S… Speaker 2 (futurismo 1)
But it can happen that you have a heart, that it can happen. I don't make a joke of Dante, except for those who are the ones who are part of the interrogation and who instead we don't do it. Because it could happen that I have to do it, I want to do it, and for some reason...
6:09
S… Speaker 3 (futurismo 1)
Okay?
6:18
S… Speaker 2 (futurismo 1)
Allora, se facciamo il fatto che li preparate, questa carità, è un fatto tra gentili uomini e gentili donne, perché se io non verifico, voi potete sbattere le riconi, magari io vi faccio il libro, perché non ho chiesto l'esame. Ma se dovesse capitare, io non dubbio i tanti vostri. Chiaro? Ma che contesto?
7:00
S… Speaker 1 (futurismo 1)
This is what it is.
7:08
S… Speaker 2 (futurismo 1)
All right. All right. All right. All right.
7:24
S… Speaker 2 (futurismo 1)
I hope to be able to complete things in the end of the month, but it may be that I can advance, maybe an author, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet, or a poet.
7:49
S… Speaker 2 (futurismo 1)
to complete what I would like to do.
8:08
S… Speaker 2 (futurismo 1)
Allora, I think I'm going to look at the first time of the 1900s. We are already in the XX sec. We are already in the past with the Pascuali and the Atmosio, but certainly you have to say that the literary history consider these territories...
8:33
S… Speaker 1 (futurismo 1)
Thank you.
9:03
S… Speaker 2 (futurismo 1)
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9:30
S… Speaker 2 (futurismo 1)
that matura so at the end of the 19th century. In the 20th century, at the beginning of the century, in the 19th century, in 1920, or even more, into the First World World War, which is significant,
9:56
S… Speaker 2 (futurismo 1)
from a point of view of the recovery.
10:00
S… Speaker 1 (futurismo 1)
letteratura si collocano delle manifestazioni culturali letterarie artistiche figurative che vanno sotto i nomi di avanguardia questo termine è tratto proprio dall'esico militare
10:29
S… Speaker 1 (futurismo 1)
in an army, in a contingency of soldiers in action, is the head group, in front of everyone, that opens the road. It is a guard, when you advance in the territory, the enemy is in guard, and those are the ones in front of the guard.
10:57
S… Speaker 1 (futurismo 1)
So with this term, these cultural movements are some movements that look oltre, we could say, the characteristics of the literature and art of their time. They respond in some way to a...
11:24
S… Speaker 1 (futurismo 1)
idea that is not that of the superwoman of the Annunzio, but that is placed in that order of thought, because, certainly, the avant-gardeists propose a...
11:39
S… Speaker 1 (futurismo 1)
a form of art that goes beyond the limits of their time, or at least in some groups of avant-garde, like the futurists, the dadaists, etc. It is also colloquable in the avant-garde in Italy, the crepuscularism, we will talk about.
12:07
S… Speaker 1 (futurismo 1)
that does not have this spirit of rossiness, rossiness of limits, but also a nature of character...
12:25
S… Speaker 1 (futurismo 1)
palinconico, più dimenso, rinunciatario, ma con carattere tale di visione disillusia, rinunciataria della realtà che...
12:41
S… Speaker 1 (futurismo 1)
compared to the common literature, the danunzian of the 1900s, the micro-scolari rompono, not the limit of the society, but the myth of the grandza of the super-man and the danunzian.
13:01
S… Speaker 1 (futurismo 1)
Partiamo dai futuristi. Il futurismo è un movimento letterario e artistico, avete qualcosina a pagina 378, che ebbe grande sviluppo in Italia e poi in Russia.
13:29
S… Speaker 1 (futurismo 1)
tourism is born.
13:33
S… Speaker 1 (futurismo 1)
Storicamente si sviluppa ovviamente, resta in incubazione per parecchio tempo e per un certo periodo di tempo e nasce ufficialmente nel 1909 con il Manifesto del Futurismo scritto da Filippo e Tommaso Marinetti a Parigi e pubblicato su Le Figaro, un giornale culturale famoso, importante, ancora importante adesso in Francia.
14:00
S… Speaker 1 (futurismo 1)
and that is an act of the start of the movement. In Russia, the futurism has a result that is developed from 1910.
14:15
S… Speaker 1 (futurismo 1)
and represents also in Russia an idea of a projection towards the future, towards the growth, the improvement, the abandonment of their own time, up and triste, to look at an avalanche. And certainly, it remains, like an art,
14:48
S… Speaker 2 (futurismo 1)
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15:00
S… Speaker 2 (futurismo 1)
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15:29
S… Speaker 1 (futurismo 1)
of the artist or the writer, but through the entire class, the people who look closely at the future. To see a little bit more about what we are talking about, page 601, you can see the presentation of the futurism.
16:00
S… Speaker 1 (futurismo 1)
the most important thing about the culturalism and the culturalism in the chapter of the poesies of the 1900s because the futurist in the field of literary, there is also a great development in the field of art figurative,
16:26
S… Speaker 1 (futurismo 1)
importantist pittore futurista boccioni che durante la grande guerra per malattia per combattimento è una delle figure più importanti però colloca nell'ambito del discorso sulla poesia perché i futuristi
16:55
S… Speaker 1 (futurismo 1)
and what we will say, they don't concept the language, the construction, the construction, the structure of the language, according to the characteristics transnational of the rhetoric, and in fact, in the perspective of the futurist, it is closed to any possibility of the script. If we see why.
17:23
S… Speaker 1 (futurismo 1)
I futurist, first of all, look at the present with great confidence. I futurist are the extremist, because they also draw inspiration from the culture danuziana.
17:43
S… Speaker 1 (futurismo 1)
The futurist is the radicalization of the vision of the superhuman, because the futurist is the one who knows to look beyond the limits of his time, and consider all his time an epoch and a world old, old, old, old, old, old, old, old, old, old, old, old, old, old, old, old, old, old, old, old, old.
18:11
S… Speaker 1 (futurismo 1)
from the past, but that should be neutralized, eliminated, so that the artist and the people of the artist and the whole people who know the artist and their guida are always exclusively at the future.
18:36
S… Speaker 1 (futurismo 1)
In the Italian future of Marinetti, it is the artist, the single individual, not only the people, but the single individual.
18:56
S… Speaker 1 (futurismo 1)
l'uomo che sa con forza tranciare i legami con il passato guardare al futuro e soltanto al futuro costruire per il futuro nel presente il futurismo
19:13
S… Speaker 1 (futurismo 1)
The present is a dynamism in all the industry, construction, mechanics, because what should characterise, qualificate...
19:39
S… Speaker 1 (futurismo 1)
in a new time, in a new culture, must be the sense of speed, the sense of rapidity.
20:00
S… Speaker 1 (futurismo 1)
the staticity, but at least the view of the past, because the speed has a unique direction, it looks forward to the speed, and it looks forward to the time. In the present there are all the resources of the mechanics, of the industry and of the science that can move on.
20:29
S… Speaker 1 (futurismo 1)
the artist futurist, to promote the future, is the occupation of the past, the elimination of the memory, and we need to tag and rescind the pont, the legami with the past.
20:57
S… Speaker 1 (futurismo 1)
And this is the rebellion of the futurist artist in front of his time and of his world.
21:10
S… Speaker 1 (futurismo 1)
the world of D'Annunzio, but also the world of Pascoli, the world of Carducci. It is a world that has preserved the past. D'Annunzio, when we talk about the super-uomo that should be able to guide the sort of Italian, and who knows how to look at the future, to break the limits of the culture borghese, because it is interpretive of the great tradition of Rome, of the great tradition,
21:39
S… Speaker 1 (futurismo 1)
the great tradition of the Renaissance, the ancient military power and the cultural power of Italy, of the medieval era, of the Renaissance. So it is from that past that they have been established and then elaborated models of...
22:10
S… Speaker 1 (futurismo 1)
of power, of power, of power, of power to look at the future. These are the aristocratic ones that condemn the grigiole borghese, but not the totality of the past. Invece, the futurists, just because the avant-garde extremis, always, considerate the past the main anchor, the main zavorra that impedes
22:38
S… Speaker 1 (futurismo 1)
to the present and to be able to go to the future.
22:42
S… Speaker 1 (futurismo 1)
And then, in the field of art, in the first place, the tradition cultural italian is a temple that is the form. Think about Petrarca in advance. Petrarca can be disperated for love and love.
23:09
S… Speaker 1 (futurismo 1)
the fact that the love for Laurel and the love for Terreno is not related to the world, that is not able to dedicate to spirituality, everything you want, but the formality of the poetry of Petrarches is indisputable. It is even the context in which in some way he finds peace, serenity, equilibrium for what is his inner condition.
23:38
S… Speaker 2 (futurismo 1)
I have to go ahead.
23:40
S… Speaker 1 (futurismo 1)
and in our cultural culture, but not only letteraria, but also artistically, from the humanism, from Giotto, the form and the formal decor are the number of our culture, as well as the European culture.
24:08
S… Speaker 1 (futurismo 1)
this aspect, the sanctuary of the form, which in literature means the elimination, the destruction of the syntax. The futurists compose texts in which practically the verb is not conjugated, the verb is only expressed in the infinitive because
24:36
S… Speaker 1 (futurismo 1)
is the name of the action, pure action, is the action as such. They don't agree, they don't create syntactic differences, they don't create periods and complex propositions.
25:00
S… Speaker 1 (futurismo 1)
in se stesse ricorrono moltissimo alla onomatopea, una forma di espressione che è a prima vista e anche a seconda vista del tutto anarchica, disorganica e
25:23
S… Speaker 1 (futurismo 1)
It communicates only at the level of effect, of impression, of perception, of sensitive and sensory perception. Certainly, there are, for example, forms of aesthetic, but not built on...
25:53
S… Speaker 1 (futurismo 1)
on the rhetoric of the lessic, as we have seen in the case of Danunzio and Pascoli, but they are built on an association of sounds that are called rumours and perceptive sounds.
26:17
S… Speaker 1 (futurismo 1)
So it's a type of production that creates this kind of production. These are the theorists, among all the futurists, of the art totality. Here we are facing something that I already announced.
26:45
S… Speaker 1 (futurismo 1)
the protagonist is a person who wants to produce the total art art, that is, the lyric work that is music and poetry, placed in a context
27:10
S… Speaker 1 (futurismo 1)
Scenografico che è non soltanto ricostruzione artigianale, fedele degli ambienti, ma è un'opera vittorica e architettonica già valide di per sé che collabora con l'espressione del canto e della parola. Quindi l'idea dell'opera totale è un qualcosa che non ha diventato il futuro.
27:38
S… Speaker 1 (futurismo 1)
But the Futurististististististististististististististististististististististististististististististististististististististististististism.
28:04
S… Speaker 1 (futurismo 1)
Verso per verso posiziona anche in maniera diversa le parole, sceglie il grassetto o il tonno normale, sceglie il maiuscolo o il minuscolo a seconda di come ripiene che in quel momento debba essere espresso, in qualche modo comparire la parola.
28:36
S… Speaker 1 (futurismo 1)
It also creates pneumatopee, synestesies, but in particular the sintaxi metric and retroprega completely, because that is the tradition that is eliminated.
28:51
S… Speaker 1 (futurismo 1)
and the same comes in the art art, I don't know if you've already seen something about art, the futurist, it has these characteristics. If you look at this, I don't want to talk about it, but for example, if it's like the aurora on the sea,
29:20
S… Speaker 2 (futurismo 1)
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29:45
S… Speaker 1 (futurismo 1)
So, we're corrosive, we're going to see, corrosive, maybe the idea that when the sun is long, it looks like a part of the superficie that is long.
30:00
S… Speaker 1 (futurismo 1)
L'alba. Ecco l'alba scritto in maiuscolo perché è una specie di titolo. I venti via via lavorando impastando il mare così muscoli e sangue per l'aurora. Vedete che non c'è verbo coniugato, verbo leggente. Ci sono i gerundi. I gerundi danno l'idea di...
30:29
S… Speaker 1 (futurismo 1)
in a contemporary way, in a modern way, working on the water, the wind that falls on the sea, so muscoli and sangue for the aurora. These vents are, when the sun comes to the aurora, when the sun comes to the aurora, a kind of musculoskeletal, which intervenes in the densification of the physical activity that gives life.
30:59
S… Speaker 1 (futurismo 1)
Est, written in a maiuscola, which is a cardinal, the president of the United States would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have said that he would have
31:24
S… Speaker 1 (futurismo 1)
we could say popular, then we could say traversa, but instead, just to say that the sun and the aurora are on the traverse, they don't come, they don't come, they don't come, they don't come, they don't come a mezzogiorno, the zenith ortogonale, but here they are almost tangent to the ground. Then, a green light.
31:54
S… Speaker 1 (futurismo 1)
Slip-tante. Poi, nord, un rosso stracotente. Mettetelo a confronto con temporale di pastoli. Questa roba qua. Per quanto temporale di pastoli, abbiamo visto, è un classi nominale e, se un verbo sono, tutto quanto è coordinato a costruire un quadro organico. Quando invece volutamente si danno gli input,
32:24
S… Speaker 1 (futurismo 1)
to indicate various aspects, because that means that, after the light comes out, the light comes out. The light comes out. The light comes out. The light comes out. The light comes out. The light comes out. The light comes out.
32:46
S… Speaker 1 (futurismo 1)
slittante e come una superficie di ghiaccio. Vedete che volendo c'è addirittura una jambe man, metto un bel di ghiaccio e poi nel verso dopo slittante per mettere in evidenza questo effetto.
33:04
S… Speaker 1 (futurismo 1)
... ... ...
33:24
S… Speaker 1 (futurismo 1)
I'm going to go like this, I'm going to go like this, I'm going to go like this, I'm going to go like this, I'm going to go like this. For example, the synesthesia is Rombo d'Oro, that you have a pagina 703, a nice name, that indicates a moment.
33:52
S… Speaker 1 (futurismo 1)
of the solar system. On the solar system, ROMBO.
33:58
S… Speaker 1 (futurismo 1)
It is a silencio, because it associa the perceptive perceptive to the perceptive perceptive and uses the perceptive perceptive to give an idea of the intensity, of the force of the light of the sun, which takes so much as intense a rock, that is a tuor.
34:26
S… Speaker 1 (futurismo 1)
It's a very heavy rumour. And this is the theme of colonialism.
34:41
S… Speaker 2 (futurismo 1)
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35:00
S… Speaker 1 (futurismo 1)
Thank you.
35:06
S… Speaker 1 (futurismo 1)
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35:34
S… Speaker 1 (futurismo 1)
that had a traditional structure.

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