momoko

Jul 30, 2026 17:16 · 19:48 · English · Whisper Turbo · 3 بلندگوها
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نمایش فقط
0:00
S… Speaker 3 (momoko)
Okay.
0:00
S… Speaker 2 (momoko)
Thank you.
0:01
S… Speaker 2 (momoko)
So thank you very much for this interview.
0:04
S… Speaker 2 (momoko)
I found your film very beautiful.
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S… Speaker 2 (momoko)
I'm film criticism.
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S… Speaker 2 (momoko)
I have my own website.
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S… Speaker 2 (momoko)
It's La Fuga.
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S… Speaker 2 (momoko)
It's like a film studies magazine.
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S… Speaker 2 (momoko)
But I am now interviewing you for the
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S… Speaker 2 (momoko)
Palabra Pública,
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S… Speaker 2 (momoko)
which is the cultural magazine
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S… Speaker 2 (momoko)
of Universidad de Chile.
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S… Speaker 2 (momoko)
That's the most important university here in Chile.
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S… Speaker 2 (momoko)
so so it will appear there okay so just to
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S… Speaker 2 (momoko)
know your film is well distributed by by Cinetopia i
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S… Speaker 2 (momoko)
found beautiful that Cinetopia took this your film to to distribute it because it's it
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S… Speaker 2 (momoko)
could be seen for larger audience so it's also all
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S… Speaker 2 (momoko)
beautiful and also i went with my kids and my kids have
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S… Speaker 2 (momoko)
four than eight years and like was
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S… Speaker 2 (momoko)
beautiful experience like really good so i'm very i was like
0:57
S… Speaker 2 (momoko)
very interested to to to to to interview you i'm also teach
1:02
S… Speaker 2 (momoko)
teaching cinema school so i think it's i i talk with
1:06
S… Speaker 2 (momoko)
my um chief with my director of the school so because
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S… Speaker 2 (momoko)
it is a beautiful example for like explorations
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S… Speaker 2 (momoko)
link science and arts you know so
1:18
S… Speaker 2 (momoko)
I think it's very good too.
1:21
S… Speaker 2 (momoko)
So I was enthusiastic to interview you because of all of these reasons,
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S… Speaker 2 (momoko)
you know, because all of this.
1:27
S… Speaker 2 (momoko)
So to divulge,
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S… Speaker 2 (momoko)
to promote your film.
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S… Speaker 2 (momoko)
Just because this is an interview for a larger audience,
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S… Speaker 2 (momoko)
for a more general audience,
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S… Speaker 2 (momoko)
I will interview just in general.
1:41
S… Speaker 2 (momoko)
And I want to know which is the origin of this
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S… Speaker 2 (momoko)
beautiful film.
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S… Speaker 2 (momoko)
How did it begin,
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S… Speaker 2 (momoko)
this work?
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S… Speaker 2 (momoko)
How do you think in this exploration?
1:53
S… Speaker 2 (momoko)
Okay,
1:55
S… Speaker 1 (momoko)
I made four short films before.
1:59
S… Speaker 1 (momoko)
in the name of planet also planet so there's a name so one
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S… Speaker 1 (momoko)
was planet A was my graduate school film in 2008 so
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S… Speaker 1 (momoko)
almost 20 years ago and in this film I explored
2:13
S… Speaker 1 (momoko)
the formation of salt crystal and I
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S… Speaker 1 (momoko)
made a scientific science fiction film with salt and
2:21
S… Speaker 1 (momoko)
water and my second short film was planet
2:25
S… Speaker 1 (momoko)
Zetan Zid
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S… Speaker 1 (momoko)
2011 where I filmed fungi and
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S… Speaker 1 (momoko)
plants and molds.
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S… Speaker 1 (momoko)
And my third film was Planet Sigma in 2014,
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S… Speaker 1 (momoko)
where I introduced insects in macro
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S… Speaker 1 (momoko)
using a phantom camera in slow motion.
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S… Speaker 1 (momoko)
And so combine different technique and film nature also in
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S… Speaker 1 (momoko)
a small scale,
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S… Speaker 1 (momoko)
but make it big.
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S… Speaker 1 (momoko)
So it's a new planet.
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S… Speaker 1 (momoko)
So it was Planet Sigma.
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S… Speaker 1 (momoko)
And in 2017,
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S… Speaker 1 (momoko)
I made a VR film.
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S… Speaker 1 (momoko)
called Planet Infinite,
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S… Speaker 1 (momoko)
where you have the big fungi growing
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S… Speaker 1 (momoko)
in front of you,
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S… Speaker 1 (momoko)
so you have to head up.
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S… Speaker 1 (momoko)
and to see it.
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S… Speaker 1 (momoko)
So there was more work on the scale that we can see.
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S… Speaker 1 (momoko)
And then I made this feature.
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S… Speaker 1 (momoko)
So it's like a continuous of my work,
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S… Speaker 1 (momoko)
exploring small nature,
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S… Speaker 1 (momoko)
changing speed,
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S… Speaker 1 (momoko)
changing scale,
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S… Speaker 1 (momoko)
putting as if you were very small in this small,
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S… Speaker 1 (momoko)
normally small world,
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S… Speaker 1 (momoko)
but make it big.
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S… Speaker 1 (momoko)
So I was already working on this ecological
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S… Speaker 1 (momoko)
science fiction film without human.
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S… Speaker 1 (momoko)
And so yes,
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S… Speaker 1 (momoko)
it didn't appear all of
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S… Speaker 1 (momoko)
a sudden.
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S… Speaker 1 (momoko)
And I wanted to make a feature film with the main
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S… Speaker 1 (momoko)
character as a plant.
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S… Speaker 1 (momoko)
So that was my initial idea to make
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S… Speaker 1 (momoko)
an adventure film,
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S… Speaker 1 (momoko)
an action movie,
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S… Speaker 1 (momoko)
but with plants.
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S… Speaker 1 (momoko)
So I was saying that maybe the seeds is a good form
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S… Speaker 1 (momoko)
because seeds travels.
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S… Speaker 1 (momoko)
Seeds go everywhere and have a lot of
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S… Speaker 1 (momoko)
technique to find their own home.
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S… Speaker 1 (momoko)
their own ground,
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S… Speaker 1 (momoko)
the soil.
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S… Speaker 1 (momoko)
So I was,
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S… Speaker 1 (momoko)
yeah,
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S… Speaker 1 (momoko)
that was my idea.
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S… Speaker 2 (momoko)
I think that is
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S… Speaker 2 (momoko)
very nice that is used,
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S… Speaker 2 (momoko)
I think it's like you said,
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S… Speaker 2 (momoko)
you use the fiction for telling a story
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S… Speaker 2 (momoko)
that links with ecological principles and
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S… Speaker 2 (momoko)
ideas.
4:42
S… Speaker 2 (momoko)
And one thing that I found beautiful
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S… Speaker 2 (momoko)
in this film is the...
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S… Speaker 2 (momoko)
the ground,
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S… Speaker 2 (momoko)
but always the ambience,
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S… Speaker 2 (momoko)
you know. It's not,
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S… Speaker 2 (momoko)
well, the atmosphere,
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S… Speaker 2 (momoko)
in every
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S… Speaker 2 (momoko)
space and in every,
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S… Speaker 2 (momoko)
like, topological...
5:01
S… Speaker 1 (momoko)
context is different the reaction of of this so i think it's
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S… Speaker 1 (momoko)
a kind of choral movie you know it's the seeds but it's also the seeds
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S… Speaker 1 (momoko)
with with this other and
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S… Speaker 1 (momoko)
that's very i found it very interesting that kind of plural no
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S… Speaker 1 (momoko)
the character yeah
5:20
S… Speaker 2 (momoko)
Thank you.
5:21
S… Speaker 2 (momoko)
Yes. So thank you very much for pointing this because it was a point that
5:25
S… Speaker 2 (momoko)
is very important.
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S… Speaker 2 (momoko)
It's not a matter that there was one hero or one
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S… Speaker 2 (momoko)
group of heroes,
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S… Speaker 2 (momoko)
but it's a plural,
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S… Speaker 2 (momoko)
as you said.
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S… Speaker 2 (momoko)
They're always in interaction with everything,
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S… Speaker 2 (momoko)
with the soil,
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S… Speaker 2 (momoko)
with the other animal,
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S… Speaker 2 (momoko)
with other plants.
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S… Speaker 2 (momoko)
They are not an alien coming here.
5:45
S… Speaker 1 (momoko)
Yeah.
5:47
S… Speaker 2 (momoko)
they're part of the ecosystem in every moment yes so also
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S… Speaker 2 (momoko)
for me it was important to to show in 2026
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S… Speaker 2 (momoko)
the view of the nature as an ecosystem as
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S… Speaker 2 (momoko)
a as a symbiotic elements linked together
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S… Speaker 2 (momoko)
and not as a separate element
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S… Speaker 2 (momoko)
that we are used to think before,
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S… Speaker 2 (momoko)
19th century,
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S… Speaker 2 (momoko)
early 20th century,
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S… Speaker 2 (momoko)
that to take a part of the fragmented element
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S… Speaker 2 (momoko)
of the nature.
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S… Speaker 2 (momoko)
So I thought that today with the comprehension that we have in
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S… Speaker 2 (momoko)
biology, in ecologic,
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S… Speaker 2 (momoko)
in the sense of a study of the environment and
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S… Speaker 2 (momoko)
the ecosystem,
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S… Speaker 2 (momoko)
we have to design the story as if there was
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S… Speaker 2 (momoko)
a connection always.
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S… Speaker 2 (momoko)
The seeds need water.
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S… Speaker 2 (momoko)
The seed needs ground,
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S… Speaker 2 (momoko)
the soil.
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S… Speaker 2 (momoko)
The seeds need wind.
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S… Speaker 2 (momoko)
Otherwise,
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S… Speaker 2 (momoko)
they cannot exist.
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S… Speaker 2 (momoko)
So we are always in this dependence of
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S… Speaker 1 (momoko)
the others.
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S… Speaker 2 (momoko)
So that was kind of important points that I was very
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S… Speaker 2 (momoko)
much interested to design,
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S… Speaker 2 (momoko)
to write,
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S… Speaker 2 (momoko)
to show in this film.
7:02
S… Speaker 1 (momoko)
Thank you.
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S… Speaker 1 (momoko)
I forgot the word.
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S… Speaker 1 (momoko)
The right word is environment.
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S… Speaker 1 (momoko)
You know, that's the word I wanted to use.
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S… Speaker 1 (momoko)
So thank you.
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S… Speaker 1 (momoko)
And I think is that the other idea
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S… Speaker 1 (momoko)
that came to me when I saw the film is this link,
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S… Speaker 1 (momoko)
this...
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S… Speaker 1 (momoko)
promote a link between science and fiction,
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S… Speaker 1 (momoko)
that is not science
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S… Speaker 1 (momoko)
fiction as we used to know.
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S… Speaker 1 (momoko)
And also try to renew a
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S… Speaker 1 (momoko)
point of view for the science,
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S… Speaker 1 (momoko)
how to link these two ideas,
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S… Speaker 1 (momoko)
trying to move on from scientific
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S… Speaker 1 (momoko)
documentary and also science fiction.
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S… Speaker 2 (momoko)
For me,
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S… Speaker 2 (momoko)
it's a fiction science.
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S… Speaker 1 (momoko)
Fiction science.
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S… Speaker 2 (momoko)
It's first of all fiction.
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S… Speaker 2 (momoko)
It's not a science.
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S… Speaker 2 (momoko)
It's not documentary.
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S… Speaker 2 (momoko)
I'm not teaching you a knowledge.
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S… Speaker 2 (momoko)
So it's not a science.
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S… Speaker 2 (momoko)
It's a fiction.
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S… Speaker 2 (momoko)
It's a cinema as a fiction,
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S… Speaker 2 (momoko)
but using science in the different,
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S… Speaker 2 (momoko)
in the both behind the camera and
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S… Speaker 2 (momoko)
in front of the camera.
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S… Speaker 2 (momoko)
But it's a fiction.
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S… Speaker 2 (momoko)
But using science as a technology,
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S… Speaker 2 (momoko)
of course,
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S… Speaker 2 (momoko)
or the tools and technique that we use is
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S… Speaker 2 (momoko)
very involved with science innovation,
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S… Speaker 2 (momoko)
the optic,
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S… Speaker 2 (momoko)
the lens,
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S… Speaker 2 (momoko)
the camera,
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S… Speaker 2 (momoko)
which is,
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S… Speaker 2 (momoko)
of course,
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S… Speaker 2 (momoko)
innovation from the science.
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S… Speaker 2 (momoko)
And also the knowledge that I just talked about,
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S… Speaker 2 (momoko)
this symbiotic point of view.
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S… Speaker 2 (momoko)
this ecological view and also all
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S… Speaker 2 (momoko)
the scientific that I went to interview to work on this film.
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S… Speaker 2 (momoko)
So the science is not taught with a word,
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S… Speaker 2 (momoko)
but it's shown with an image and the sound or the
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S… Speaker 2 (momoko)
knowledge that I accumulated to write this story.
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S… Speaker 2 (momoko)
So the science is at the same time,
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S… Speaker 2 (momoko)
the tools and also in the storytelling.
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S… Speaker 1 (momoko)
Yes, I think it's also a very methodical kind of method,
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S… Speaker 1 (momoko)
like in both ways,
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S… Speaker 1 (momoko)
you know, in the way of the...
9:13
S… Speaker 1 (momoko)
how to see nature and how to see the nature process.
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S… Speaker 1 (momoko)
So it's these different moments of this relationship within
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S… Speaker 1 (momoko)
seeds and these environments and very different environments.
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S… Speaker 1 (momoko)
And the other point of view also,
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S… Speaker 1 (momoko)
the methodical about the cinematographic techniques.
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S… Speaker 1 (momoko)
So
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S… Speaker 1 (momoko)
this is a kind of research film,
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S… Speaker 1 (momoko)
we can say also.
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S… Speaker 1 (momoko)
It's a kind of film that has a lot of research.
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S… Speaker 1 (momoko)
thing before you know so yeah and well
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S… Speaker 1 (momoko)
let's talk a little bit about the techniques also it
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S… Speaker 1 (momoko)
is very nice also to see like this analogical
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S… Speaker 1 (momoko)
process you know the stop motion
10:00
S… Speaker 2 (momoko)
also the kind of lens relations with these
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S… Speaker 2 (momoko)
environments and these plants and these insects.
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S… Speaker 2 (momoko)
So I want to talk a little bit about that because I think
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S… Speaker 2 (momoko)
it's also nice that kids,
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S… Speaker 2 (momoko)
like my kids,
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S… Speaker 2 (momoko)
see this kind of materiality of
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S… Speaker 2 (momoko)
nature, you know?
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S… Speaker 2 (momoko)
So that's a very nice thing also.
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S… Speaker 2 (momoko)
It's not a digital thing.
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S… Speaker 2 (momoko)
It feels like very real,
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S… Speaker 1 (momoko)
you know?
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S… Speaker 1 (momoko)
Yes,
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S… Speaker 1 (momoko)
there is no stop motion to say.
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S… Speaker 1 (momoko)
There are time lapse.
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S… Speaker 1 (momoko)
There are a different technique,
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S… Speaker 1 (momoko)
but no stop motion.
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S… Speaker 1 (momoko)
Just correct.
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S… Speaker 1 (momoko)
And of course,
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S… Speaker 1 (momoko)
for me, it's especially in this world that we are...
10:44
S… Speaker 1 (momoko)
invaded by AI images,
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S… Speaker 1 (momoko)
generated images,
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S… Speaker 1 (momoko)
computer graphic images,
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S… Speaker 1 (momoko)
all the things that they're like,
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S… Speaker 1 (momoko)
we live in the post -truth era.
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S… Speaker 1 (momoko)
So there's not really what is the real image.
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S… Speaker 1 (momoko)
The real image doesn't really exist,
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S… Speaker 1 (momoko)
even in my film,
11:02
S… Speaker 1 (momoko)
actually, because I do compositing.
11:05
S… Speaker 1 (momoko)
But what was interesting for me,
11:07
S… Speaker 1 (momoko)
important,
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S… Speaker 1 (momoko)
more than interesting,
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S… Speaker 1 (momoko)
is to show to those young generations at the age of your kids something
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S… Speaker 1 (momoko)
that is real,
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S… Speaker 1 (momoko)
really happening around us and
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S… Speaker 1 (momoko)
in our garden,
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S… Speaker 1 (momoko)
beneath our feet.
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S… Speaker 1 (momoko)
Something that is authentic,
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S… Speaker 1 (momoko)
that...
11:26
S… Speaker 1 (momoko)
Of course,
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S… Speaker 1 (momoko)
there is no calamari in the space.
11:29
S… Speaker 1 (momoko)
Of course, there is no this fungi growing on the slug
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S… Speaker 1 (momoko)
in this film.
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S… Speaker 1 (momoko)
But the slug is a true one.
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S… Speaker 1 (momoko)
I mean, it's not computer generated.
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S… Speaker 1 (momoko)
It's not drone animation.
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S… Speaker 1 (momoko)
They look like this in macro.
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S… Speaker 1 (momoko)
They look like strange.
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S… Speaker 1 (momoko)
They look like friendly.
11:47
S… Speaker 1 (momoko)
They look like,
11:48
S… Speaker 1 (momoko)
you know,
11:49
S… Speaker 1 (momoko)
half alien,
11:50
S… Speaker 1 (momoko)
half horse,
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S… Speaker 1 (momoko)
half, you know,
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S… Speaker 1 (momoko)
strange animal.
11:54
S… Speaker 1 (momoko)
The same thing as the mantis,
11:57
S… Speaker 1 (momoko)
the same thing as the calamari,
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S… Speaker 1 (momoko)
as I told you before,
12:00
S… Speaker 1 (momoko)
or the iceberg that we won't see.
12:03
S… Speaker 1 (momoko)
Iceberg in 100 years will all disappear.
12:05
S… Speaker 1 (momoko)
So also this emergency
12:10
S… Speaker 1 (momoko)
of capturing them.
12:12
S… Speaker 1 (momoko)
with our tools instead of being fascinated by
12:17
S… Speaker 1 (momoko)
computer -generated images.
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S… Speaker 1 (momoko)
The true one,
12:20
S… Speaker 1 (momoko)
the reality is more fascinating than what
12:24
S… Speaker 1 (momoko)
human creates.
12:25
S… Speaker 1 (momoko)
And that is what I was,
12:28
S… Speaker 1 (momoko)
it was very important for me.
12:30
S… Speaker 2 (momoko)
Thank you.
12:31
S… Speaker 2 (momoko)
So I have one question
12:37
S… Speaker 2 (momoko)
that is the...
12:39
S… Speaker 2 (momoko)
Did you work with a kind of laboratory inside the studio?
12:42
S… Speaker 2 (momoko)
How do you work that?
12:46
S… Speaker 2 (momoko)
You make a kind of environment that works and you film that.
12:50
S… Speaker 2 (momoko)
Is that the process?
12:53
S… Speaker 1 (momoko)
I can,
12:54
S… Speaker 1 (momoko)
for that,
12:54
S… Speaker 1 (momoko)
I better send you the making of.
12:56
S… Speaker 1 (momoko)
Yeah.
12:57
S… Speaker 1 (momoko)
I have a video in subtitled in English,
12:59
S… Speaker 1 (momoko)
so you can see the environment of the shooting.
13:03
S… Speaker 2 (momoko)
Yeah.
13:04
S… Speaker 1 (momoko)
Maybe it will be easier than like,
13:06
S… Speaker 1 (momoko)
because you have the image,
13:07
S… Speaker 1 (momoko)
the video of the...
13:09
S… Speaker 2 (momoko)
Okay.
13:09
S… Speaker 2 (momoko)
Maybe you can say just a little idea about this,
13:13
S… Speaker 2 (momoko)
because the interview,
13:16
S… Speaker 2 (momoko)
to tell the readers,
13:20
S… Speaker 2 (momoko)
you know, so kind of,
13:21
S… Speaker 2 (momoko)
if you want to.
13:22
S… Speaker 1 (momoko)
Ah, okay.
13:23
S… Speaker 1 (momoko)
Yes, sorry,
13:24
S… Speaker 1 (momoko)
because I was looking for the...
13:26
S… Speaker 1 (momoko)
I just sent the making of to someone else just before,
13:30
S… Speaker 1 (momoko)
to the festival.
13:32
S… Speaker 1 (momoko)
So anyway,
13:32
S… Speaker 1 (momoko)
I will send you the video so you can...
13:37
S… Speaker 1 (momoko)
You can see the image.
13:39
S… Speaker 1 (momoko)
But yeah,
13:39
S… Speaker 1 (momoko)
it's very difficult to say in one word because they were different
13:44
S… Speaker 1 (momoko)
scene has a different tools that we have.
13:48
S… Speaker 2 (momoko)
Yes.
13:48
S… Speaker 1 (momoko)
Starting from the time lapse,
13:50
S… Speaker 1 (momoko)
as I mentioned,
13:51
S… Speaker 1 (momoko)
slow motion camera.
13:53
S… Speaker 1 (momoko)
We have robots that we develop.
13:55
S… Speaker 1 (momoko)
We have also programming,
13:57
S… Speaker 1 (momoko)
machine learning,
13:58
S… Speaker 1 (momoko)
drone,
13:59
S… Speaker 1 (momoko)
probe,
14:00
S… Speaker 1 (momoko)
probe lens.
14:03
S… Speaker 1 (momoko)
We have different techniques.
14:05
S… Speaker 1 (momoko)
So yes.
14:06
S… Speaker 1 (momoko)
it's uh difficult just saying one word but the shooting last two two
14:10
S… Speaker 1 (momoko)
years yeah and in different location yes uh
14:15
S… Speaker 1 (momoko)
in iceland in france in japan and so too
14:19
S… Speaker 1 (momoko)
yes
14:21
S… Speaker 2 (momoko)
Yeah, maybe to be more specific,
14:24
S… Speaker 2 (momoko)
but I think,
14:24
S… Speaker 2 (momoko)
yes, that there is sometimes a kind of more abstract context
14:29
S… Speaker 2 (momoko)
in the movie,
14:30
S… Speaker 2 (momoko)
but sometimes there are some kind of garden or
14:35
S… Speaker 2 (momoko)
space that it seems to be like little,
14:39
S… Speaker 1 (momoko)
you know?
14:39
S… Speaker 2 (momoko)
So I was thinking it was a kind of studio
14:43
S… Speaker 2 (momoko)
in the inside,
14:45
S… Speaker 2 (momoko)
I don't know, like a kind of...
14:47
S… Speaker 2 (momoko)
little environment not to to to i i mean the babosa
14:52
S… Speaker 1 (momoko)
it's small but it's not that small you will see the the set
14:56
S… Speaker 1 (momoko)
it's more like three meter two by three meter okay
15:01
S… Speaker 1 (momoko)
okay two meter by two three meter you will see i send
15:05
S… Speaker 1 (momoko)
you the making of so you see the images that you can also capture
15:09
S… Speaker 2 (momoko)
for your okay okay so um just uh
15:13
S… Speaker 2 (momoko)
like um
15:15
S… Speaker 2 (momoko)
to think an idea that I think is the last one,
15:17
S… Speaker 2 (momoko)
not to bother you anymore,
15:19
S… Speaker 2 (momoko)
but kind of perspective,
15:24
S… Speaker 2 (momoko)
to think the cinema today,
15:27
S… Speaker 2 (momoko)
like the future of this art.
15:30
S… Speaker 2 (momoko)
So we have like a
15:34
S… Speaker 2 (momoko)
kind of industrial dream also here still,
15:37
S… Speaker 2 (momoko)
like with this kind of film.
15:39
S… Speaker 2 (momoko)
like characters and you know and very fictional sometimes and
15:43
S… Speaker 2 (momoko)
and and and these all this production
15:47
S… Speaker 2 (momoko)
model it seems like it sometimes doesn't relate
15:52
S… Speaker 2 (momoko)
with anything you know and you know it's a kind of fantasy also the industrial high
15:56
S… Speaker 2 (momoko)
-tech film also you know it is a kind of and and maybe and and
16:00
S… Speaker 2 (momoko)
the film your film came to me like this idea you know that's
16:04
S… Speaker 2 (momoko)
That's the possibility of cinema today,
16:06
S… Speaker 2 (momoko)
you know, that's the kind of film we can make still possible
16:10
S… Speaker 1 (momoko)
now.
16:10
S… Speaker 2 (momoko)
So I wanted to ask you something,
16:14
S… Speaker 2 (momoko)
this kind of idea of
16:18
S… Speaker 2 (momoko)
which films for today,
16:20
S… Speaker 2 (momoko)
you know, what is the future of this,
16:23
S… Speaker 2 (momoko)
you know,
16:23
S… Speaker 2 (momoko)
kind of.
16:24
S… Speaker 1 (momoko)
Yes,
16:25
S… Speaker 1 (momoko)
I think they're talking about ecological perspective.
16:29
S… Speaker 1 (momoko)
Cinema is one of the...
16:32
S… Speaker 1 (momoko)
art field that is very lacking of ecological
16:36
S… Speaker 1 (momoko)
conscience.
16:37
S… Speaker 1 (momoko)
You have ecological conscience in architecture,
16:41
S… Speaker 1 (momoko)
you have ecological conscience in painting or installation,
16:45
S… Speaker 1 (momoko)
in contemporary art,
16:46
S… Speaker 1 (momoko)
but we have not so much ecological conscience in cinema industry.
16:50
S… Speaker 1 (momoko)
This is one thing.
16:52
S… Speaker 1 (momoko)
And ecological conscience is not...
16:56
S… Speaker 1 (momoko)
doing a horror movie about how nature
17:01
S… Speaker 1 (momoko)
will threaten us,
17:03
S… Speaker 1 (momoko)
you know,
17:04
S… Speaker 1 (momoko)
will destroy the human.
17:05
S… Speaker 1 (momoko)
It's not this,
17:06
S… Speaker 1 (momoko)
because there are a lot of films that are supposed
17:11
S… Speaker 1 (momoko)
to be ecological,
17:11
S… Speaker 1 (momoko)
but it's talking more about the...
17:16
S… Speaker 1 (momoko)
the horror of the heat or the insect going
17:20
S… Speaker 1 (momoko)
to invade us or,
17:22
S… Speaker 1 (momoko)
you know, the sand will take all over the city.
17:26
S… Speaker 1 (momoko)
You know,
17:27
S… Speaker 1 (momoko)
this kind of fear.
17:29
S… Speaker 1 (momoko)
of the nature.
17:31
S… Speaker 1 (momoko)
And I think this fear of the nature or to
17:35
S… Speaker 1 (momoko)
divide humans with the nature is the first point
17:39
S… Speaker 1 (momoko)
that maybe in the storytelling,
17:40
S… Speaker 1 (momoko)
cinema should be more updated
17:45
S… Speaker 1 (momoko)
about that,
17:46
S… Speaker 1 (momoko)
you know?
17:46
S… Speaker 1 (momoko)
So we cannot do this binarity
17:50
S… Speaker 1 (momoko)
anymore, kind of.
17:52
S… Speaker 1 (momoko)
Yeah.
17:53
S… Speaker 1 (momoko)
So I think this kind of conscience,
17:56
S… Speaker 1 (momoko)
it can be interesting to have a little bit more in the cinema field.
17:59
S… Speaker 1 (momoko)
And also cinema is a perfect tool to be
18:03
S… Speaker 1 (momoko)
in other body than human.
18:06
S… Speaker 1 (momoko)
right because you have montage you have sound design music
18:10
S… Speaker 1 (momoko)
and in my film you are in the in the body of the seeds for
18:15
S… Speaker 1 (momoko)
one hour and ten minutes so we can be something else so the
18:19
S… Speaker 1 (momoko)
experience of being in other body than human
18:23
S… Speaker 1 (momoko)
can be give us a new point of view on new sensation
18:27
S… Speaker 1 (momoko)
towards the world that we are living so i
18:32
S… Speaker 1 (momoko)
think we should more use this tool to be
18:35
S… Speaker 1 (momoko)
I don't know,
18:35
S… Speaker 1 (momoko)
in the body of wolf,
18:37
S… Speaker 1 (momoko)
in the body of the fish,
18:39
S… Speaker 1 (momoko)
you know, to perceive the environment in a different way,
18:43
S… Speaker 1 (momoko)
in a sensitive way,
18:45
S… Speaker 1 (momoko)
in the fact that we will feel a new condition of being.
18:48
S… Speaker 1 (momoko)
And I think what is lacking in the human today is
18:53
S… Speaker 1 (momoko)
the empathy of this other being,
18:55
S… Speaker 1 (momoko)
of the other condition.
18:57
S… Speaker 1 (momoko)
And so because we are so egoists,
18:59
S… Speaker 1 (momoko)
right?
18:59
S… Speaker 1 (momoko)
So I think we should more play with this tool.
19:04
S… Speaker 1 (momoko)
And yes,
19:06
S… Speaker 1 (momoko)
and maybe also to open a new kind of
19:10
S… Speaker 1 (momoko)
storytelling that maybe humans
19:14
S… Speaker 1 (momoko)
are not the only interest.
19:17
S… Speaker 2 (momoko)
Yes, it's beautiful.
19:18
S… Speaker 2 (momoko)
I think we have things.
19:22
S… Speaker 2 (momoko)
So thank you very much for your time.
19:24
S… Speaker 2 (momoko)
And I congratulate you for your beautiful,
19:28
S… Speaker 2 (momoko)
beautiful film and ideas.
19:29
S… Speaker 2 (momoko)
So I will transcript this and publish it
19:33
S… Speaker 2 (momoko)
soon.
19:34
S… Speaker 1 (momoko)
OK.
19:34
S… Speaker 1 (momoko)
Thank you very much.
19:36
S… Speaker 1 (momoko)
And maybe the making of who completes the interview.
19:40
S… Speaker 2 (momoko)
Thank you.
19:41
S… Speaker 2 (momoko)
OK, I will see it.
19:42
S… Speaker 2 (momoko)
Thank you very much.
19:43
S… Speaker 2 (momoko)
Bye bye.
19:44
S… Speaker 1 (momoko)
Thank you so much.
19:45
S… Speaker 1 (momoko)
Thank you.

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