260617_1608

35:26 3 Cynhadledd 8 Pennawdau 924 segmentau

Pennawdau

  1. 0:00

    So that was part of your own journey, wasn't it? Was that part of your friendship when you first met in 67? Did you discuss those things, or was that a little bit later? I can't really remember that. Because I read that he went to Scotland …

  2. 5:00

    maybe even Abbey Road. Is that true? How did you find working in Trident in the late 1960s? I knew the owners of Trident. They were two brothers who liked to build studios. And they were called the Sheffield Brothers. One was Barry Sheffiel…

  3. 10:00

    be around them. Sure. One thing I read, Tony, I don't know if you remember this, but I read that, I mean, I know David made Poirot and Turquoise with Lindsay in Scotland, in Edinburgh. I read that Lindsay had a flat here during the Fringe a…

  4. 15:00

    and obviously the final album, Blackstar. What stands out about his creativity in the studio? Because I read that he would often finish songs in the studio, whereas maybe in the early 70s, late 60s, he would come into the studio with a fini…

  5. 25:06

    Yes, it did, and he was back to where he wanted to be. He loved jazz, and he loved it as a way of sending his message out into the world. Oh, I could give you another five minutes if you like. Yeah, sure, that would be great, yeah. I wanted…

  6. 30:08

    a tape across the uh The faders, you know, the volume controls. And I said, anyone who touches these controls will be castrated. So that the sound from night to night was identical. Yeah, it's a great live record, I have to say. It really s…

  7. 35:08
    Pennawd 8: fair enough. 14s · Speaker 1

    fair enough. Well, listen, I'll let you go on that, Tony. It's been a real pleasure. I really enjoyed that. Thanks for taking the time out. You've been very kind. Thank you so much. Not at all. Thank you. All the best for the tour, Tony. I …