New Recording 5
May 12, 2026 15:58
· 3:35
· English
· Whisper Turbo
· 1 ተናጋሪ
ይህ ትረካ ዛሬ ይቋረጣል
ለዘለቄታው ማስቀመጫ ማሻሻል →
ማሳየት ብቻ
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Speaker 1 (New Recording 5)
So today I'd like to talk about Stanley Cavell's concept of
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automaticity.
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Automaticity
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is the idea that in
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Speaker 1 (New Recording 5)
art forms,
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eventually the art and
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the structure of the art in general becomes,
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in a sense, self -generating.
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Speaker 1 (New Recording 5)
And so it's at the point that it becomes self -generating
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Speaker 1 (New Recording 5)
that...
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The art,
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you know, the artist himself,
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his or her creative control of the art is to some extent relinquished.
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And the art becomes
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Speaker 1 (New Recording 5)
on a level autopoietic,
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meaning it,
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you know,
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it continues to develop itself and so on.
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And so one
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example of this,
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what he seems to,
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this idea of automaticity seems to relate to Wittgenstein's concept of forms
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of life.
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which is the idea that in various different
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language games or conventional structures,
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the aesthetic,
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the organizational,
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philosophical principles of life vary
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tremendously,
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you know,
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for various functional purposes,
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vary tremendously.
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And so automaticity,
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Speaker 1 (New Recording 5)
if you conceive automaticity,
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is considered the way art as
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an expression of a form of life or various forms of life is self -generating
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in nature.
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And it exists according to a self -generating set
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of rules.
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Now,
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these rules themselves...
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They change spontaneously.
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This is not a formalist conception of the nature of art.
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Rather,
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he says,
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that in a way,
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you know, especially with modernist art,
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in modernist art,
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artists like Frank Stella and Jackson Pollock,
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each knew,
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because it's no longer representational in character,
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so the goals of the art are no longer purely representational,
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rather they serve
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some function within a language game,
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especially of expressing values,
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any change to a piece of art could be a completely different painting
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and a completely different expression.
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And so it's a kind of a paradoxical
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concept, negative automaticity,
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because it both
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expresses that art itself is,
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you know,
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it exists according to a self -generating system.
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And there are sets of rules of art that are
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not even directly,
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maybe the artist isn't even directly privy to.
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It takes on a life of its own.
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But it's also,
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there's a great degree of spontaneity in character.
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And so the rules aren't consistent in nature.
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And any small change could engender
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a completely different set of rules.
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And so in essence,
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what I would describe automaticity for Pavel as is the
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autopoietic character of art,
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especially modern art,
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and its relationship
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with Wittgenstein's concept of forms of life.
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