New Recording 5

May 12, 2026 15:58 · 3:35 · English · Whisper Turbo · 1 स्पीकर

इस हस्तलिपि का समय आज बीत चुका है. स्थायी भंडारण के लिए अद्यतन करें →

0:01

S… Speaker 1 (New Recording 5)

So today I'd like to talk about Stanley Cavell's concept of

0:06

S… Speaker 1 (New Recording 5)

automaticity.

0:07

S… Speaker 1 (New Recording 5)

Automaticity

0:11

S… Speaker 1 (New Recording 5)

is the idea that in

0:16

S… Speaker 1 (New Recording 5)

art forms,

0:17

S… Speaker 1 (New Recording 5)

eventually the art and

0:21

S… Speaker 1 (New Recording 5)

the structure of the art in general becomes,

0:24

S… Speaker 1 (New Recording 5)

in a sense, self -generating.

0:25

S… Speaker 1 (New Recording 5)

And so it's at the point that it becomes self -generating

0:30

S… Speaker 1 (New Recording 5)

that...

0:32

S… Speaker 1 (New Recording 5)

The art,

0:32

S… Speaker 1 (New Recording 5)

you know, the artist himself,

0:34

S… Speaker 1 (New Recording 5)

his or her creative control of the art is to some extent relinquished.

0:39

S… Speaker 1 (New Recording 5)

And the art becomes

0:43

S… Speaker 1 (New Recording 5)

on a level autopoietic,

0:46

S… Speaker 1 (New Recording 5)

meaning it,

0:46

S… Speaker 1 (New Recording 5)

you know,

0:47

S… Speaker 1 (New Recording 5)

it continues to develop itself and so on.

0:50

S… Speaker 1 (New Recording 5)

And so one

0:54

S… Speaker 1 (New Recording 5)

example of this,

0:55

S… Speaker 1 (New Recording 5)

what he seems to,

0:56

S… Speaker 1 (New Recording 5)

this idea of automaticity seems to relate to Wittgenstein's concept of forms

1:00

S… Speaker 1 (New Recording 5)

of life.

1:01

S… Speaker 1 (New Recording 5)

which is the idea that in various different

1:05

S… Speaker 1 (New Recording 5)

language games or conventional structures,

1:08

S… Speaker 1 (New Recording 5)

the aesthetic,

1:11

S… Speaker 1 (New Recording 5)

the organizational,

1:12

S… Speaker 1 (New Recording 5)

philosophical principles of life vary

1:17

S… Speaker 1 (New Recording 5)

tremendously,

1:17

S… Speaker 1 (New Recording 5)

you know,

1:18

S… Speaker 1 (New Recording 5)

for various functional purposes,

1:19

S… Speaker 1 (New Recording 5)

vary tremendously.

1:21

S… Speaker 1 (New Recording 5)

And so automaticity,

1:24

S… Speaker 1 (New Recording 5)

if you conceive automaticity,

1:26

S… Speaker 1 (New Recording 5)

is considered the way art as

1:30

S… Speaker 1 (New Recording 5)

an expression of a form of life or various forms of life is self -generating

1:35

S… Speaker 1 (New Recording 5)

in nature.

1:35

S… Speaker 1 (New Recording 5)

And it exists according to a self -generating set

1:39

S… Speaker 1 (New Recording 5)

of rules.

1:40

S… Speaker 1 (New Recording 5)

Now,

1:41

S… Speaker 1 (New Recording 5)

these rules themselves...

1:45

S… Speaker 1 (New Recording 5)

They change spontaneously.

1:46

S… Speaker 1 (New Recording 5)

This is not a formalist conception of the nature of art.

1:50

S… Speaker 1 (New Recording 5)

Rather,

1:51

S… Speaker 1 (New Recording 5)

he says,

1:52

S… Speaker 1 (New Recording 5)

that in a way,

1:54

S… Speaker 1 (New Recording 5)

you know, especially with modernist art,

1:56

S… Speaker 1 (New Recording 5)

in modernist art,

1:57

S… Speaker 1 (New Recording 5)

artists like Frank Stella and Jackson Pollock,

2:00

S… Speaker 1 (New Recording 5)

each knew,

2:02

S… Speaker 1 (New Recording 5)

because it's no longer representational in character,

2:06

S… Speaker 1 (New Recording 5)

so the goals of the art are no longer purely representational,

2:09

S… Speaker 1 (New Recording 5)

rather they serve

2:14

S… Speaker 1 (New Recording 5)

some function within a language game,

2:16

S… Speaker 1 (New Recording 5)

especially of expressing values,

2:18

S… Speaker 1 (New Recording 5)

any change to a piece of art could be a completely different painting

2:22

S… Speaker 1 (New Recording 5)

and a completely different expression.

2:24

S… Speaker 1 (New Recording 5)

And so it's a kind of a paradoxical

2:28

S… Speaker 1 (New Recording 5)

concept, negative automaticity,

2:30

S… Speaker 1 (New Recording 5)

because it both

2:34

S… Speaker 1 (New Recording 5)

expresses that art itself is,

2:37

S… Speaker 1 (New Recording 5)

you know,

2:38

S… Speaker 1 (New Recording 5)

it exists according to a self -generating system.

2:44

S… Speaker 1 (New Recording 5)

And there are sets of rules of art that are

2:49

S… Speaker 1 (New Recording 5)

not even directly,

2:51

S… Speaker 1 (New Recording 5)

maybe the artist isn't even directly privy to.

2:53

S… Speaker 1 (New Recording 5)

It takes on a life of its own.

2:54

S… Speaker 1 (New Recording 5)

But it's also,

2:56

S… Speaker 1 (New Recording 5)

there's a great degree of spontaneity in character.

2:58

S… Speaker 1 (New Recording 5)

And so the rules aren't consistent in nature.

3:01

S… Speaker 1 (New Recording 5)

And any small change could engender

3:08

S… Speaker 1 (New Recording 5)

a completely different set of rules.

3:10

S… Speaker 1 (New Recording 5)

And so in essence,

3:11

S… Speaker 1 (New Recording 5)

what I would describe automaticity for Pavel as is the

3:15

S… Speaker 1 (New Recording 5)

autopoietic character of art,

3:20

S… Speaker 1 (New Recording 5)

especially modern art,

3:22

S… Speaker 1 (New Recording 5)

and its relationship

3:28

S… Speaker 1 (New Recording 5)

with Wittgenstein's concept of forms of life.

यह व्याख्या एआई (अंग्रेजी भाषा की पहचान के द्वारा तैयार की गयी थी ।) एआई नीति

❤️ क्या आपको STT.ai पसंद है? अपने दोस्तों को बताइए!

सारांश

इस बुक का एआई सारांश बनाने के लिए सार बनाने के लिए सार को क्लिक करें.

एआई के बारे में पूछें इस ट्रांसमिशन के बारे में

इस हस्तलिपि के बारे में कुछ सवाल पूछिए — एआई को ज़रूरी भागों और जवाब मिलेगा ।

एक और अनुवाद