helga (1)

0:01

S… Speaker 1 (helga (1))

Well,

0:01

S… Speaker 2 (helga (1))

thank you Helga for accepting this interview.

0:05

S… Speaker 2 (helga (1))

Maybe just we'll begin to kind

0:09

S… Speaker 2 (helga (1))

of this kind of general question.

0:12

S… Speaker 2 (helga (1))

And you said it in your talks

0:16

S… Speaker 2 (helga (1))

and conference,

0:17

S… Speaker 2 (helga (1))

but I have to record it now.

0:19

S… Speaker 2 (helga (1))

So I just want to know how

0:23

S… Speaker 2 (helga (1))

do you arrive?

0:25

S… Speaker 2 (helga (1))

to this work of its Super 8 films.

0:28

S… Speaker 2 (helga (1))

How do you begin working?

0:31

S… Speaker 2 (helga (1))

How do you find it?

0:33

S… Speaker 2 (helga (1))

And what do you find there?

0:34

S… Speaker 2 (helga (1))

It's a very special story

0:39

S… Speaker 1 (helga (1))

because I had no connection.

0:42

S… Speaker 1 (helga (1))

I was not at all familiar with experimental filmmaking.

0:46

S… Speaker 1 (helga (1))

I was not even very much interested in it.

0:50

S… Speaker 1 (helga (1))

Storytelling movies,

0:51

S… Speaker 1 (helga (1))

you know, I saw them,

0:53

S… Speaker 1 (helga (1))

but I wasn't a cinefilm.

0:55

S… Speaker 1 (helga (1))

But I was very fond of literature

1:00

S… Speaker 1 (helga (1))

and poetry.

1:02

S… Speaker 1 (helga (1))

And it happened that at some point,

1:05

S… Speaker 1 (helga (1))

a long time ago now,

1:07

S… Speaker 1 (helga (1))

in the middle of the 80s,

1:10

S… Speaker 1 (helga (1))

and I was not young any longer then already,

1:13

S… Speaker 1 (helga (1))

that a friend,

1:16

S… Speaker 1 (helga (1))

an artist,

1:16

S… Speaker 1 (helga (1))

young artist,

1:17

S… Speaker 1 (helga (1))

Swiss artist,

1:18

S… Speaker 1 (helga (1))

who had studied at the Art School of Frankfurt.

1:24

S… Speaker 1 (helga (1))

in the film class of Peter Kubelka,

1:27

S… Speaker 1 (helga (1))

the avant -garde filmmaker.

1:29

S… Speaker 1 (helga (1))

I know, I know him.

1:30

S… Speaker 1 (helga (1))

You know. So anyway,

1:31

S… Speaker 1 (helga (1))

and when he had finished the school,

1:34

S… Speaker 1 (helga (1))

in order to make a little money,

1:37

S… Speaker 1 (helga (1))

he offered a workshop,

1:39

S… Speaker 1 (helga (1))

a small workshop in a little artist

1:44

S… Speaker 1 (helga (1))

-run structure,

1:45

S… Speaker 1 (helga (1))

and he called the workshop Super 8 as

1:49

S… Speaker 1 (helga (1))

an artistic medium.

1:52

S… Speaker 1 (helga (1))

And he was very close to my former boyfriend and

1:56

S… Speaker 1 (helga (1))

he asked me,

1:57

S… Speaker 1 (helga (1))

would you like to participate?

2:00

S… Speaker 1 (helga (1))

And I had no idea.

2:02

S… Speaker 1 (helga (1))

I couldn't understand why he asked me.

2:04

S… Speaker 1 (helga (1))

I had nothing to do with film.

2:07

S… Speaker 1 (helga (1))

I never had a camera.

2:09

S… Speaker 1 (helga (1))

I had no interest in making films.

2:11

S… Speaker 1 (helga (1))

I was in writing,

2:13

S… Speaker 1 (helga (1))

you know, more.

2:14

S… Speaker 1 (helga (1))

So after thinking about and discussing with my

2:18

S… Speaker 1 (helga (1))

friend, boyfriend,

2:19

S… Speaker 1 (helga (1))

he said,

2:20

S… Speaker 1 (helga (1))

well, maybe it's interesting.

2:22

S… Speaker 1 (helga (1))

But finally I decided to participate,

2:25

S… Speaker 1 (helga (1))

to do a favor to the friend.

2:27

S… Speaker 1 (helga (1))

So that he had somebody more to give him a little money,

2:32

S… Speaker 1 (helga (1))

you know.

2:32

S… Speaker 1 (helga (1))

So it was not for the...

2:35

S… Speaker 1 (helga (1))

No, not at all.

2:37

S… Speaker 1 (helga (1))

It was nothing.

2:38

S… Speaker 1 (helga (1))

And it was a small group and all the others were already,

2:42

S… Speaker 1 (helga (1))

you know,

2:43

S… Speaker 1 (helga (1))

they were ambitious to work in the experimental cinema

2:47

S… Speaker 1 (helga (1))

and even to some of them hoping that they could get into

2:52

S… Speaker 1 (helga (1))

the art school.

2:52

S… Speaker 1 (helga (1))

So anyway,

2:53

S… Speaker 1 (helga (1))

I was the only one naive.

2:56

S… Speaker 1 (helga (1))

And yeah,

2:57

S… Speaker 1 (helga (1))

it didn't last a lot of time,

3:00

S… Speaker 1 (helga (1))

but I bought my first Super 8 camera,

3:02

S… Speaker 1 (helga (1))

I bought my first projector,

3:05

S… Speaker 1 (helga (1))

I bought my first little editing thing,

3:09

S… Speaker 1 (helga (1))

you know.

3:09

S… Speaker 1 (helga (1))

And we met,

3:11

S… Speaker 1 (helga (1))

we went out together and shot

3:16

S… Speaker 1 (helga (1))

with Super 8.

3:17

S… Speaker 1 (helga (1))

and we got the result immediately because

3:21

S… Speaker 1 (helga (1))

there was a lab in Frankfurt and when we met the next time we

3:26

S… Speaker 1 (helga (1))

screened all the films that we had made and we

3:30

S… Speaker 1 (helga (1))

were analyzing talking about so this was my first film

3:35

S… Speaker 1 (helga (1))

school let's say a little

3:37

S… Speaker 1 (helga (1))

A little beginning.

3:37

S… Speaker 1 (helga (1))

A little beginning.

3:38

S… Speaker 1 (helga (1))

So,

3:39

S… Speaker 2 (helga (1))

sorry, what were you doing until that?

3:40

S… Speaker 2 (helga (1))

You were, like, writing?

3:42

S… Speaker 2 (helga (1))

I was,

3:43

S… Speaker 1 (helga (1))

no, at the time I was not writing.

3:45

S… Speaker 1 (helga (1))

I was teaching German

3:49

S… Speaker 1 (helga (1))

and French and Italian literature and language,

3:52

S… Speaker 1 (helga (1))

because in my first life I studied literatures

3:57

S… Speaker 1 (helga (1))

and languages,

3:59

S… Speaker 1 (helga (1))

you know.

4:00

S… Speaker 1 (helga (1))

And I would have liked to be a good poet in

4:04

S… Speaker 1 (helga (1))

writing, but I was never satisfied.

4:07

S… Speaker 2 (helga (1))

I think that's the thing.

4:09

S… Speaker 2 (helga (1))

I'm interested in that because I think there's a kind of thing there also,

4:13

S… Speaker 2 (helga (1))

you know, poetry,

4:14

S… Speaker 2 (helga (1))

also literature and experience maybe that...

4:17

S… Speaker 1 (helga (1))

Yeah, but what is so strange that with the Super 8 later,

4:21

S… Speaker 1 (helga (1))

it was not from the beginning,

4:23

S… Speaker 1 (helga (1))

I found out that this poetic thing

4:29

S… Speaker 1 (helga (1))

in me.

4:29

S… Speaker 1 (helga (1))

Yeah.

4:30

S… Speaker 1 (helga (1))

It is the visual.

4:32

S… Speaker 1 (helga (1))

It is not so much through the words.

4:35

S… Speaker 1 (helga (1))

Not at all through the words.

4:36

S… Speaker 1 (helga (1))

But at the beginning I didn't know.

4:39

S… Speaker 1 (helga (1))

I was naive.

4:40

S… Speaker 1 (helga (1))

I was the only one naive.

4:42

S… Speaker 1 (helga (1))

And then the workshop was over.

4:46

S… Speaker 1 (helga (1))

And I had

4:50

S… Speaker 1 (helga (1))

already found out that it was wonderful to go out

4:54

S… Speaker 1 (helga (1))

with my camera as I do always,

4:56

S… Speaker 1 (helga (1))

you know, when I'm free.

4:57

S… Speaker 1 (helga (1))

And to see...

5:00

S… Speaker 2 (helga (1))

the world with wide open eyes and with a feeling you know to what

5:04

S… Speaker 2 (helga (1))

is what I observe what I see and what touches

5:08

S… Speaker 2 (helga (1))

me and I continue to make films but not

5:13

S… Speaker 2 (helga (1))

not thinking I will become a filmmaker but then

5:17

S… Speaker 2 (helga (1))

after a while when I

5:21

S… Speaker 2 (helga (1))

got back my very first film where I sensed

5:25

S… Speaker 2 (helga (1))

that I have,

5:26

S… Speaker 2 (helga (1))

I can use the camera as my medium.

5:30

S… Speaker 2 (helga (1))

This was really,

5:33

S… Speaker 2 (helga (1))

my heart was bumping,

5:35

S… Speaker 1 (helga (1))

you know.

5:35

S… Speaker 2 (helga (1))

And my boyfriend,

5:37

S… Speaker 2 (helga (1))

who was a visual artist,

5:39

S… Speaker 2 (helga (1))

he said it's a good film.

5:41

S… Speaker 2 (helga (1))

And everybody who saw the film,

5:43

S… Speaker 2 (helga (1))

they all said it is really a good film,

5:45

S… Speaker 1 (helga (1))

you know.

5:46

S… Speaker 2 (helga (1))

And good in a way,

5:48

S… Speaker 2 (helga (1))

you know, it was very simple,

5:51

S… Speaker 2 (helga (1))

but it was a strong,

5:53

S… Speaker 2 (helga (1))

small,

5:55

S… Speaker 1 (helga (1))

work,

5:55

S… Speaker 2 (helga (1))

my first work.

5:57

S… Speaker 2 (helga (1))

You know?

5:58

S… Speaker 2 (helga (1))

And this was amazing.

6:01

S… Speaker 2 (helga (1))

And after a while,

6:03

S… Speaker 2 (helga (1))

because I got in touch with the people of the workshop,

6:07

S… Speaker 2 (helga (1))

some of them,

6:08

S… Speaker 2 (helga (1))

and I showed them my film sometimes.

6:12

S… Speaker 2 (helga (1))

And they suggested that I should approach

6:16

S… Speaker 2 (helga (1))

Kuvelka,

6:17

S… Speaker 2 (helga (1))

go to the film class.

6:20

S… Speaker 2 (helga (1))

But I hesitated because I was afraid of Kubica.

6:24

S… Speaker 2 (helga (1))

He was very authoritarian in his aesthetics

6:28

S… Speaker 2 (helga (1))

and as a person.

6:30

S… Speaker 2 (helga (1))

And since it was such,

6:32

S… Speaker 2 (helga (1))

I just had discovered a little plant,

6:36

S… Speaker 2 (helga (1))

you know, I was afraid that he would destroy it.

6:39

S… Speaker 2 (helga (1))

So I hesitated.

6:41

S… Speaker 2 (helga (1))

Then after quite a while,

6:43

S… Speaker 2 (helga (1))

I don't remember now the time,

6:45

S… Speaker 2 (helga (1))

so then I went,

6:48

S… Speaker 2 (helga (1))

he was very,

6:50

S… Speaker 2 (helga (1))

I have to say,

6:51

S… Speaker 2 (helga (1))

very generous.

6:53

S… Speaker 2 (helga (1))

I could ask him whether I could just attend his classes

6:57

S… Speaker 2 (helga (1))

as a guest,

6:59

S… Speaker 2 (helga (1))

you know, as an informal guest.

7:00

S… Speaker 2 (helga (1))

And he agreed it.

7:02

S… Speaker 2 (helga (1))

And so at the end,

7:04

S… Speaker 2 (helga (1))

I...

7:06

S… Speaker 2 (helga (1))

I stayed with him for five years.

7:08

S… Speaker 2 (helga (1))

I became later an art student of

7:13

S… Speaker 2 (helga (1))

the school, but it approached...

7:15

S… Speaker 2 (helga (1))

slowly yes so and this was very good because I

7:20

S… Speaker 2 (helga (1))

really thought I have it was a revolution in my life

7:24

S… Speaker 2 (helga (1))

and even though I did not agree with everything of

7:29

S… Speaker 2 (helga (1))

Kubelka but he had a vision of what film is

7:33

S… Speaker 2 (helga (1))

you know his teaching is so he it was precious

7:38

S… Speaker 2 (helga (1))

Although it was not easy to be an old student,

7:42

S… Speaker 2 (helga (1))

you know, I was in the age of the professors and

7:47

S… Speaker 2 (helga (1))

the others were young,

7:47

S… Speaker 2 (helga (1))

but I did it and it was very good and since

7:52

S… Speaker 2 (helga (1))

then I went on.

7:55

S… Speaker 2 (helga (1))

to create my way of filmmaking as

7:59

S… Speaker 2 (helga (1))

you saw yesterday.

8:01

S… Speaker 1 (helga (1))

Yes.

8:01

S… Speaker 1 (helga (1))

It's interesting that Welco was the kind

8:05

S… Speaker 1 (helga (1))

of bridge also because he has a very intellectual thing

8:10

S… Speaker 1 (helga (1))

of point of view,

8:11

S… Speaker 1 (helga (1))

of structure of the film and the composition.

8:14

S… Speaker 1 (helga (1))

It's a kind of very intellectual thing,

8:17

S… Speaker 1 (helga (1))

I think.

8:18

S… Speaker 1 (helga (1))

Yeah,

8:19

S… Speaker 2 (helga (1))

he's not really an intellectual,

8:22

S… Speaker 2 (helga (1))

in my opinion.

8:23

S… Speaker 2 (helga (1))

But he's kind of defining what film is,

8:27

S… Speaker 2 (helga (1))

you know,

8:27

S… Speaker 2 (helga (1))

image by image,

8:29

S… Speaker 2 (helga (1))

then the montage thing,

8:31

S… Speaker 2 (helga (1))

so it must be precise.

8:33

S… Speaker 2 (helga (1))

But what was interesting me was really

8:38

S… Speaker 2 (helga (1))

this...

8:41

S… Speaker 2 (helga (1))

conscious working with the medium.

8:44

S… Speaker 2 (helga (1))

So I was not attracted by his structural discourses.

8:49

S… Speaker 2 (helga (1))

But fortunately he saw

8:54

S… Speaker 2 (helga (1))

that my approach with Super 8 was good.

8:59

S… Speaker 2 (helga (1))

You know because it was it was different from what he taught

9:03

S… Speaker 2 (helga (1))

but on the other hand he taught an artistic Responsibility

9:08

S… Speaker 2 (helga (1))

for what you are doing and this I found out

9:13

S… Speaker 2 (helga (1))

myself.

9:13

S… Speaker 2 (helga (1))

This was very important for me.

9:15

S… Speaker 2 (helga (1))

And through him also,

9:17

S… Speaker 2 (helga (1))

you know, I learned to know experimental filmmakers

9:22

S… Speaker 2 (helga (1))

before me,

9:23

S… Speaker 1 (helga (1))

you know.

9:23

S… Speaker 2 (helga (1))

So I had no,

9:25

S… Speaker 2 (helga (1))

you know, I was not touched at all by film before.

9:29

S… Speaker 1 (helga (1))

So slowly...

9:32

S… Speaker 2 (helga (1))

thanks to attending his class and going here

9:36

S… Speaker 2 (helga (1))

at some point he invited always his students to

9:40

S… Speaker 2 (helga (1))

the film museum in Vienna whose collection of experimental film

9:44

S… Speaker 2 (helga (1))

he created so I knew the whole history his

9:50

S… Speaker 2 (helga (1))

history what he likes you know but still it was very important

9:54

S… Speaker 2 (helga (1))

and but what was good on the other hand

9:58

S… Speaker 2 (helga (1))

that I had already

10:00

S… Speaker 2 (helga (1))

I found my approach,

10:02

S… Speaker 2 (helga (1))

you know?

10:03

S… Speaker 2 (helga (1))

So this was a big chance.

10:06

S… Speaker 1 (helga (1))

Absolutely,

10:07

S… Speaker 1 (helga (1))

yes, yes,

10:08

S… Speaker 1 (helga (1))

yes. I was thinking if these

10:13

S… Speaker 1 (helga (1))

plants that you,

10:14

S… Speaker 1 (helga (1))

you know,

10:15

S… Speaker 1 (helga (1))

it was related with the...

10:21

S… Speaker 1 (helga (1))

proximity you know a kind of possibility an artisan

10:25

S… Speaker 1 (helga (1))

also a mode of production I think that is near you know it's a

10:29

S… Speaker 1 (helga (1))

kind of work in cinema and art also that begins with a

10:34

S… Speaker 1 (helga (1))

big thing a little thing you know it's also all the things

10:39

S… Speaker 1 (helga (1))

you said yesterday about that you know it's about also the

10:44

S… Speaker 1 (helga (1))

deep spaces you know working on concentrate

10:48

S… Speaker 1 (helga (1))

you know

10:50

S… Speaker 1 (helga (1))

It begins a kind of work with this logic of production.

10:54

S… Speaker 2 (helga (1))

Thank you,

11:02

S… Speaker 1 (helga (1))

I had breakfast.

11:02

S… Speaker 2 (helga (1))

I will eat later.

11:05

S… Speaker 2 (helga (1))

No, no, it's good.

11:05

S… Speaker 1 (helga (1))

It's good?

11:06

S… Speaker 1 (helga (1))

Really?

11:06

S… Speaker 2 (helga (1))

I just wonder what it is.

11:07

S… Speaker 1 (helga (1))

It's sarepa.

11:08

S… Speaker 1 (helga (1))

It's called sarepa.

11:09

S… Speaker 2 (helga (1))

Sarepa?

11:10

S… Speaker 1 (helga (1))

It's sarepa and it's not with bread.

11:13

S… Speaker 1 (helga (1))

It's a kind of with corn.

11:16

S… Speaker 2 (helga (1))

Oh, it's corn.

11:16

S… Speaker 1 (helga (1))

Corn.

11:17

S… Speaker 1 (helga (1))

Yes, corn.

11:17

S… Speaker 1 (helga (1))

If you want to prove it.

11:20

S… Speaker 2 (helga (1))

No, thank you.

11:21

S… Speaker 2 (helga (1))

And I don't eat meat.

11:22

S… Speaker 1 (helga (1))

You don't eat meat?

11:23

S… Speaker 1 (helga (1))

Okay, okay.

11:25

S… Speaker 1 (helga (1))

Is it,

11:26

S… Speaker 2 (helga (1))

you can have it with cheese also?

11:28

S… Speaker 1 (helga (1))

Yeah,

11:28

S… Speaker 1 (helga (1))

yeah, cheese and maybe champignons,

11:32

S… Speaker 1 (helga (1))

champignons,

11:33

S… Speaker 1 (helga (1))

cheese.

11:33

S… Speaker 2 (helga (1))

So anyway,

11:35

S… Speaker 2 (helga (1))

I had just breakfast.

11:36

S… Speaker 2 (helga (1))

Is it your breakfast?

11:38

S… Speaker 1 (helga (1))

Yeah,

11:38

S… Speaker 1 (helga (1))

yeah, yeah.

11:39

S… Speaker 1 (helga (1))

Go ahead.

11:40

S… Speaker 2 (helga (1))

Yeah,

11:41

S… Speaker 2 (helga (1))

you see it,

11:42

S… Speaker 2 (helga (1))

what I,

11:43

S… Speaker 2 (helga (1))

that was,

11:44

S… Speaker 2 (helga (1))

you know, going,

11:45

S… Speaker 2 (helga (1))

learning to go out into the world with the camera,

11:48

S… Speaker 2 (helga (1))

it changed my...

11:49

S… Speaker 2 (helga (1))

the focusing on what speaks

11:56

S… Speaker 2 (helga (1))

to me.

11:57

S… Speaker 2 (helga (1))

And then to find out,

11:59

S… Speaker 2 (helga (1))

to transport that into a cinematic thing.

12:03

S… Speaker 2 (helga (1))

This was,

12:04

S… Speaker 2 (helga (1))

I had to learn that,

12:05

S… Speaker 2 (helga (1))

you know, but learning by doing and enjoying it,

12:10

S… Speaker 1 (helga (1))

you know.

12:10

S… Speaker 2 (helga (1))

So it's a state of mind,

12:13

S… Speaker 2 (helga (1))

you know, to concentrate,

12:14

S… Speaker 2 (helga (1))

to really to get in touch.

12:19

S… Speaker 2 (helga (1))

almost physically,

12:20

S… Speaker 2 (helga (1))

you know, with what I'm discovering,

12:23

S… Speaker 2 (helga (1))

what is speaking to me.

12:24

S… Speaker 2 (helga (1))

But it's the real world,

12:28

S… Speaker 2 (helga (1))

you know, what I find in the real world.

12:30

S… Speaker 1 (helga (1))

Yes, yes.

12:31

S… Speaker 2 (helga (1))

What's there,

12:32

S… Speaker 2 (helga (1))

if you discover it,

12:34

S… Speaker 2 (helga (1))

you know, and if you respond to it.

12:36

S… Speaker 2 (helga (1))

So it was a process.

12:38

S… Speaker 1 (helga (1))

Yes.

12:39

S… Speaker 1 (helga (1))

Also,

12:40

S… Speaker 1 (helga (1))

it's a kind of...

12:43

S… Speaker 1 (helga (1))

Let's put it that way,

12:44

S… Speaker 1 (helga (1))

a kind of positive limitations of the resource.

12:47

S… Speaker 1 (helga (1))

Is this a kind of attraction also in this grade?

12:50

S… Speaker 1 (helga (1))

You know what I mean?

12:52

S… Speaker 2 (helga (1))

It's a poor medium.

12:54

S… Speaker 2 (helga (1))

It's a poor in the sense,

12:57

S… Speaker 2 (helga (1))

it's not meant to be the big painting.

13:01

S… Speaker 2 (helga (1))

It's a drawing.

13:02

S… Speaker 2 (helga (1))

It's a little sketch.

13:03

S… Speaker 2 (helga (1))

It's more when you relate to visual art.

13:07

S… Speaker 2 (helga (1))

I think it's not the sort of...

13:11

S… Speaker 2 (helga (1))

elaborated perfection but it has the liveliness

13:16

S… Speaker 2 (helga (1))

of the context absolutely in doing also with you know the gesture

13:20

S… Speaker 2 (helga (1))

of filming is very important yeah and it's related to

13:24

S… Speaker 2 (helga (1))

me to my body to everything yeah to my vision to

13:28

S… Speaker 2 (helga (1))

my feeling to mine let's

13:32

S… Speaker 2 (helga (1))

say aesthetic concern the what i developed yes yes while

13:36

S… Speaker 2 (helga (1))

i'm doing it and this

13:40

S… Speaker 2 (helga (1))

This combination is a state of production which

13:44

S… Speaker 2 (helga (1))

I still enjoy.

13:46

S… Speaker 2 (helga (1))

I got so close to what

13:51

S… Speaker 2 (helga (1))

is there and not only done by men.

13:53

S… Speaker 2 (helga (1))

So in a rich world

13:58

S… Speaker 2 (helga (1))

and we focus so much only on other things.

14:03

S… Speaker 1 (helga (1))

Also interesting thing you said yesterday,

14:05

S… Speaker 1 (helga (1))

well, you don't use editing,

14:07

S… Speaker 1 (helga (1))

you know, you are camera editing,

14:09

S… Speaker 1 (helga (1))

so also there are like fragments of this approach,

14:13

S… Speaker 1 (helga (1))

you know?

14:13

S… Speaker 1 (helga (1))

Yeah,

14:14

S… Speaker 2 (helga (1))

the fragment,

14:17

S… Speaker 2 (helga (1))

yes, but the fragment...

14:19

S… Speaker 2 (helga (1))

content that you see it better because fragment

14:23

S… Speaker 2 (helga (1))

and fragment and fragment and make visible my cinematic

14:28

S… Speaker 2 (helga (1))

version of the world.

14:29

S… Speaker 2 (helga (1))

It's not realistic,

14:31

S… Speaker 2 (helga (1))

you know?

14:31

S… Speaker 2 (helga (1))

It's a creation.

14:32

S… Speaker 1 (helga (1))

A creation,

14:33

S… Speaker 1 (helga (1))

absolutely.

14:34

S… Speaker 2 (helga (1))

But with respect for what I film.

14:38

S… Speaker 1 (helga (1))

Absolutely,

14:39

S… Speaker 1 (helga (1))

yes.

14:40

S… Speaker 1 (helga (1))

And also,

14:42

S… Speaker 1 (helga (1))

what was interesting about yesterday,

14:44

S… Speaker 1 (helga (1))

that i think is part also of all the situation is also the

14:48

S… Speaker 1 (helga (1))

exhibition but it's not just a projection because it's a kind of remontage

14:53

S… Speaker 1 (helga (1))

the exhibition is a montage and you make the selection of the of the

14:57

S… Speaker 2 (helga (1))

yeah this is the only montage after

15:00

S… Speaker 1 (helga (1))

Yes.

15:00

S… Speaker 1 (helga (1))

But this came because,

15:03

S… Speaker 1 (helga (1))

as I said,

15:03

S… Speaker 1 (helga (1))

sometimes it's really fragments,

15:07

S… Speaker 1 (helga (1))

very short pieces or maximum length three minutes and something.

15:11

S… Speaker 1 (helga (1))

And when I never considered a

15:15

S… Speaker 1 (helga (1))

single film as now,

15:17

S… Speaker 2 (helga (1))

you know, my work,

15:18

S… Speaker 1 (helga (1))

I had the feeling I'm in the process of

15:22

S… Speaker 1 (helga (1))

creation.

15:23

S… Speaker 1 (helga (1))

And a single film is not meant.

15:27

S… Speaker 1 (helga (1))

to be combined with a next film or a film before.

15:31

S… Speaker 1 (helga (1))

But when I had more films,

15:35

S… Speaker 1 (helga (1))

you know, and I can tell you the first experience to

15:39

S… Speaker 1 (helga (1))

combine work,

15:41

S… Speaker 1 (helga (1))

that was when I was still an art student with Kubelka and

15:46

S… Speaker 1 (helga (1))

the film class was in Frankfurt was invited by

15:50

S… Speaker 1 (helga (1))

the

15:53

S… Speaker 1 (helga (1))

communal cinema to present work and without

15:58

S… Speaker 1 (helga (1))

one exception all the other students tried hard to

16:02

S… Speaker 1 (helga (1))

work like Kubecker you know 60 millimeter precise montage

16:06

S… Speaker 1 (helga (1))

and so on and so I asked him what I

16:10

S… Speaker 1 (helga (1))

should do you know with my little pieces so he said why

16:14

S… Speaker 1 (helga (1))

don't you choose make a small selection and combine

16:19

S… Speaker 1 (helga (1))

them and that

16:21

S… Speaker 1 (helga (1))

became my first experience with making this kind of

16:25

S… Speaker 2 (helga (1))

montage.

16:25

S… Speaker 1 (helga (1))

So I chose four films for the first time.

16:29

S… Speaker 1 (helga (1))

It was my first public screening,

16:32

S… Speaker 1 (helga (1))

you know.

16:32

S… Speaker 1 (helga (1))

So,

16:33

S… Speaker 1 (helga (1))

four films.

16:34

S… Speaker 1 (helga (1))

And then I found out that with

16:38

S… Speaker 1 (helga (1))

the four films I can do so many combinations.

16:42

S… Speaker 1 (helga (1))

And I tried a series of them,

16:44

S… Speaker 1 (helga (1))

I put apart and I connected them again.

16:48

S… Speaker 1 (helga (1))

And that was my first experience of montage

16:52

S… Speaker 1 (helga (1))

of my films.

16:53

S… Speaker 1 (helga (1))

So that I can find out an

16:58

S… Speaker 1 (helga (1))

order which at least I think is the best

17:02

S… Speaker 2 (helga (1))

one. You see,

17:04

S… Speaker 1 (helga (1))

but the way you see the single film

17:08

S… Speaker 1 (helga (1))

changes in the combination.

17:10

S… Speaker 1 (helga (1))

And that was my beginning that I had developed

17:14

S… Speaker 1 (helga (1))

this until now.

17:16

S… Speaker 1 (helga (1))

Okay.

17:17

S… Speaker 3 (helga (1))

And also there's the...

17:20

S… Speaker 3 (helga (1))

You want to say something else?

17:21

S… Speaker 1 (helga (1))

No.

17:22

S… Speaker 2 (helga (1))

No, no.

17:23

S… Speaker 3 (helga (1))

And also,

17:23

S… Speaker 2 (helga (1))

wait,

17:24

S… Speaker 2 (helga (1))

well, two things.

17:25

S… Speaker 3 (helga (1))

You go with your films.

17:26

S… Speaker 3 (helga (1))

It's you and your films.

17:29

S… Speaker 3 (helga (1))

It's not separate things.

17:31

S… Speaker 3 (helga (1))

And also you talk like you get and you make

17:35

S… Speaker 3 (helga (1))

a kind of personal context,

17:37

S… Speaker 3 (helga (1))

you know, of not explanation but just to

17:41

S… Speaker 3 (helga (1))

dialogue.

17:42

S… Speaker 3 (helga (1))

Intervention is very important to like feel all

17:46

S… Speaker 3 (helga (1))

the things, you know.

17:47

S… Speaker 1 (helga (1))

But I have to say that is a very,

17:49

S… Speaker 1 (helga (1))

at the beginning I didn't talk at all.

17:53

S… Speaker 1 (helga (1))

You know, when I stood at the projector,

17:56

S… Speaker 1 (helga (1))

public order.

17:58

S… Speaker 1 (helga (1))

was clapping I didn't even go in front I did it was all

18:02

S… Speaker 1 (helga (1))

it now you know I oh yeah I can I can

18:06

S… Speaker 1 (helga (1))

give you an explanation this yesterday was the format master

18:10

S… Speaker 1 (helga (1))

class yeah so even though I don't like to turn but it was meant to

18:15

S… Speaker 1 (helga (1))

give an insight in my working process I don't

18:19

S… Speaker 1 (helga (1))

do it always like that

18:21

S… Speaker 1 (helga (1))

Just a little bit.

18:22

S… Speaker 2 (helga (1))

This was a special occasion.

18:25

S… Speaker 1 (helga (1))

They asked me to

18:29

S… Speaker 1 (helga (1))

give a master class.

18:30

S… Speaker 1 (helga (1))

So the next projections they will

18:34

S… Speaker 1 (helga (1))

project and maybe I will,

18:35

S… Speaker 1 (helga (1))

it depends if there's time,

18:38

S… Speaker 1 (helga (1))

you know, I can talk a little bit again.

18:42

S… Speaker 1 (helga (1))

But yesterday it was meant really to give an introduction.

18:45

S… Speaker 1 (helga (1))

But for a long time

18:49

S… Speaker 1 (helga (1))

I didn't talk at all.

18:53

S… Speaker 1 (helga (1))

My thing was,

18:54

S… Speaker 1 (helga (1))

I thought, all I have to say is in the films.

18:57

S… Speaker 3 (helga (1))

It's right that,

18:59

S… Speaker 3 (helga (1))

you know, it's okay.

19:00

S… Speaker 3 (helga (1))

This thing,

19:04

S… Speaker 2 (helga (1))

well,

19:05

S… Speaker 3 (helga (1))

just about the works,

19:07

S… Speaker 3 (helga (1))

you know,

19:08

S… Speaker 3 (helga (1))

the films, well...

19:12

S… Speaker 3 (helga (1))

There's different things,

19:13

S… Speaker 2 (helga (1))

you know,

19:14

S… Speaker 3 (helga (1))

very different movements and poetics and colors.

19:18

S… Speaker 3 (helga (1))

The second part was very colorful,

19:20

S… Speaker 3 (helga (1))

for example,

19:21

S… Speaker 2 (helga (1))

very, very colorful.

19:21

S… Speaker 3 (helga (1))

But I was thinking in a kind of persistent

19:26

S… Speaker 3 (helga (1))

vision, you know,

19:27

S… Speaker 3 (helga (1))

it's a kind of experience of persistence of the vision,

19:29

S… Speaker 3 (helga (1))

you know, a concentrated vision.

19:31

S… Speaker 3 (helga (1))

I think it's very important to focus

19:36

S… Speaker 3 (helga (1))

on that thing in your film,

19:38

S… Speaker 3 (helga (1))

but also...

19:39

S… Speaker 3 (helga (1))

about cinema you know contemporary cinema you know what is to simply to watch

19:43

S… Speaker 3 (helga (1))

you know there's a kind of need sometimes to

19:47

S… Speaker 3 (helga (1))

really come you know that the absolutely basic thing of cinema you

19:52

S… Speaker 1 (helga (1))

know yeah I'm much closer to the early cinema purely

19:57

S… Speaker 1 (helga (1))

purely cinematic vision

20:00

S… Speaker 1 (helga (1))

work.

20:01

S… Speaker 2 (helga (1))

It's true.

20:02

S… Speaker 2 (helga (1))

I found out,

20:04

S… Speaker 2 (helga (1))

you know, it was not on my mind from the beginning because I had to learn to understand

20:08

S… Speaker 2 (helga (1))

myself what I'm doing,

20:10

S… Speaker 1 (helga (1))

you know.

20:10

S… Speaker 2 (helga (1))

But I'm convinced now,

20:13

S… Speaker 2 (helga (1))

knowing more about history and so on.

20:15

S… Speaker 2 (helga (1))

But it was not a project,

20:17

S… Speaker 1 (helga (1))

you know.

20:17

S… Speaker 2 (helga (1))

It came through experience.

20:19

S… Speaker 2 (helga (1))

It was not a strategy.

20:22

S… Speaker 2 (helga (1))

The way I show and work

20:26

S… Speaker 1 (helga (1))

with my work

20:27

S… Speaker 2 (helga (1))

it came out of the necessity of the medium.

20:30

S… Speaker 2 (helga (1))

You know,

20:31

S… Speaker 2 (helga (1))

because, for example,

20:32

S… Speaker 2 (helga (1))

I go back to this first experience showing the

20:36

S… Speaker 2 (helga (1))

four films,

20:37

S… Speaker 2 (helga (1))

you know,

20:38

S… Speaker 2 (helga (1))

in this first screening.

20:39

S… Speaker 2 (helga (1))

And this was in a cinema,

20:41

S… Speaker 2 (helga (1))

of a Cinetechka in Frankfurt.

20:43

S… Speaker 2 (helga (1))

And I had no experience.

20:47

S… Speaker 2 (helga (1))

I saw my films projected always in a small

20:51

S… Speaker 2 (helga (1))

space,

20:52

S… Speaker 2 (helga (1))

either in my home or at the art

20:56

S… Speaker 1 (helga (1))

school.

20:59

S… Speaker 2 (helga (1))

And then,

21:00

S… Speaker 2 (helga (1))

in this presentation of the works of the

21:04

S… Speaker 2 (helga (1))

film class,

21:05

S… Speaker 2 (helga (1))

my films were projected from the booth.

21:09

S… Speaker 2 (helga (1))

It was a nightmare for me.

21:12

S… Speaker 2 (helga (1))

I thought it's not my films any longer.

21:15

S… Speaker 2 (helga (1))

I was not close any longer.

21:20

S… Speaker 2 (helga (1))

It was not good.

要約

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