Не выбирайте «бабушкину» стрижку! 5 стрижек, которые действительно молодят после 50
Jul 14, 2026 12:00
· 19:33
· captions
Sous-titres de plateforme
Ce compte rendu expire aujourd'hui.
Mise à niveau pour le stockage permanent →
Améliorer avec l'IA
Re-transcrire avec Whisper AI pour une meilleure précision, détection des locuteurs et horodatages au niveau des mots. Coûte la durée réelle de la vidéo en minutes.
Téléchargement de l'audio et transcription IA en cours... Cela peut prendre quelques minutes.
Affichage seulement
0:00
Don't ask the master, make me
0:02
Don't ask the master, make me something comfortable. Very often, it is
0:05
something comfortable. Very often, it is
0:05
something comfortable. Very often, it is after this phrase that a woman leaves her
0:08
after this phrase that a woman leaves her
0:08
after this phrase that a woman leaves her rank not fresher, but older, because what is
0:11
rank not fresher, but older, because what is
0:12
rank not fresher, but older, because what is convenient for the master often means
0:15
convenient for the master often means
0:15
convenient for the master often means shorter, rounder, simpler. The end result is a cap
0:18
shorter, rounder, simpler. The end result is a cap
0:18
shorter, rounder, simpler. The end result is a cap -like haircut, a flat
0:21
-like haircut, a flat
0:21
-like haircut, a flat crown, a heavy back, bushy bangs and a
0:25
crown, a heavy back, bushy bangs and a
0:25
crown, a heavy back, bushy bangs and a shape that does not decorate the face, but pulls
0:28
shape that does not decorate the face, but pulls
0:28
shape that does not decorate the face, but pulls it down.
0:30
it down.
0:30
it down. And here's what's important. It's not age that ages you, it's the
0:33
And here's what's important. It's not age that ages you, it's the
0:33
And here's what's important. It's not age that ages you, it's the wrong shape that ages you. One haircut
0:37
wrong shape that ages you. One haircut
0:37
wrong shape that ages you. One haircut opens up the eyes, highlights the cheekbones,
0:40
opens up the eyes, highlights the cheekbones,
0:40
opens up the eyes, highlights the cheekbones, makes the hair look thicker and immediately
0:42
makes the hair look thicker and immediately
0:42
makes the hair look thicker and immediately refreshes the look. And the other makes the face look
0:46
refreshes the look. And the other makes the face look
0:46
refreshes the look. And the other makes the face look tired, the neck shorter, and the whole appearance too
0:49
tired, the neck shorter, and the whole appearance too
0:50
tired, the neck shorter, and the whole appearance too aged, even if the woman is well-groomed
0:52
aged, even if the woman is well-groomed
0:53
aged, even if the woman is well-groomed and well-dressed. Today I'll show you five
0:55
and well-dressed. Today I'll show you five
0:55
and well-dressed. Today I'll show you five haircuts that flatter your face,
0:58
haircuts that flatter your face,
0:58
haircuts that flatter your face, add volume, movement, and lightness, and
1:01
add volume, movement, and lightness, and
1:02
add volume, movement, and lightness, and help you look modern without
1:04
help you look modern without
1:04
help you look modern without complicated styling. After each haircut, I'll
1:07
complicated styling. After each haircut, I'll
1:07
complicated styling. After each haircut, I'll tell you who it's suitable for and what to ask the
1:10
tell you who it's suitable for and what to ask the
1:10
tell you who it's suitable for and what to ask the hairdresser to avoid getting a round
1:12
hairdresser to avoid getting a round
1:12
hairdresser to avoid getting a round granny shape. And finally, I'll give you some ready-made
1:15
granny shape. And finally, I'll give you some ready-made
1:15
granny shape. And finally, I'll give you some ready-made phrases for the salon, so that the stylist understands that
1:18
phrases for the salon, so that the stylist understands that
1:19
phrases for the salon, so that the stylist understands that you need not just a comfortable haircut, but a
1:21
you need not just a comfortable haircut, but a
1:21
you need not just a comfortable haircut, but a shape that truly flatters.
1:24
shape that truly flatters.
1:24
shape that truly flatters. Haircut number one. Textured pixie. There's a
1:27
Haircut number one. Textured pixie. There's a
1:30
reason why many women are afraid of short haircuts. Too often, the guise of a
1:33
reason why many women are afraid of short haircuts. Too often, the guise of a comfortable short haircut is replaced by something
1:35
comfortable short haircut is replaced by something
1:36
comfortable short haircut is replaced by something flat and immobile.
1:38
flat and immobile.
1:38
flat and immobile. The hair lies on the head like a cap.
1:40
The hair lies on the head like a cap.
1:40
The hair lies on the head like a cap. The crown of the head does not rise, the back of the head is heavy.
1:43
The crown of the head does not rise, the back of the head is heavy.
1:43
The crown of the head does not rise, the back of the head is heavy. And there isn't a single soft strand on her face.
1:47
And there isn't a single soft strand on her face.
1:47
And there isn't a single soft strand on her face. This kind of haircut can really make you look
1:48
This kind of haircut can really make you look
1:48
This kind of haircut can really make you look older. But the modern textured
1:51
older. But the modern textured
1:51
older. But the modern textured pixie is a completely different story. It's not about
1:54
pixie is a completely different story. It's not about
1:54
pixie is a completely different story. It's not about just cutting everything shorter.
1:57
just cutting everything shorter.
1:57
just cutting everything shorter. It's all about shape, light volume on top,
2:00
It's all about shape, light volume on top,
2:00
It's all about shape, light volume on top, soft strands and a neat nape
2:03
soft strands and a neat nape
2:03
soft strands and a neat nape that reveals the neck. The main secret of
2:05
that reveals the neck. The main secret of
2:05
that reveals the neck. The main secret of the pixie is the top part. If the crown is
2:08
the pixie is the top part. If the crown is
2:08
the pixie is the top part. If the crown is flat, the face immediately appears heavier.
2:12
flat, the face immediately appears heavier.
2:12
flat, the face immediately appears heavier. If there is light volume and texture on top
2:14
If there is light volume and texture on top
2:14
If there is light volume and texture on top , the gaze is lifted, the eyes
2:17
, the gaze is lifted, the eyes
2:17
, the gaze is lifted, the eyes look open, the eyebrows are more noticeable, and the whole
2:20
look open, the eyebrows are more noticeable, and the whole
2:20
look open, the eyebrows are more noticeable, and the whole silhouette becomes lighter. This is especially
2:23
silhouette becomes lighter. This is especially
2:23
silhouette becomes lighter. This is especially important when hair no longer holds volume as well as
2:25
important when hair no longer holds volume as well as
2:25
important when hair no longer holds volume as well as before. Long strands begin
2:28
before. Long strands begin
2:28
before. Long strands begin to stretch downwards, and the crown quickly
2:31
to stretch downwards, and the crown quickly
2:31
to stretch downwards, and the crown quickly becomes flat. A
2:33
becomes flat. A
2:33
becomes flat. A textured pixie cut removes excess weight and
2:35
textured pixie cut removes excess weight and
2:35
textured pixie cut removes excess weight and helps hair hold its shape more easily.
2:39
helps hair hold its shape more easily.
2:39
helps hair hold its shape more easily. Ask the technician not to make the
2:41
Ask the technician not to make the
2:41
Ask the technician not to make the shape round. and do not press your hair to your head.
2:44
shape round. and do not press your hair to your head.
2:44
shape round. and do not press your hair to your head. It's better to say this: I want a soft,
2:47
It's better to say this: I want a soft,
2:47
It's better to say this: I want a soft, textured pixie with volume on top,
2:50
textured pixie with volume on top,
2:50
textured pixie with volume on top, light layers, and a neat back.
2:53
light layers, and a neat back.
2:53
light layers, and a neat back. Not a cap, but a living form.
2:57
Not a cap, but a living form.
2:57
Not a cap, but a living form. This type of haircut can be styled quickly. Apply a little
2:59
This type of haircut can be styled quickly. Apply a little
2:59
This type of haircut can be styled quickly. Apply a little light product to the roots using your fingers, lift
3:01
light product to the roots using your fingers, lift
3:01
light product to the roots using your fingers, lift up, slightly direct the strands towards
3:04
up, slightly direct the strands towards
3:04
up, slightly direct the strands towards your face, and your hairstyle is ready. There is no need to cover
3:07
your face, and your hairstyle is ready. There is no need to cover
3:07
your face, and your hairstyle is ready. There is no need to cover everything with varnish. The softer the movement, the
3:10
everything with varnish. The softer the movement, the
3:10
everything with varnish. The softer the movement, the more expensive the haircut looks. If your hair is
3:13
more expensive the haircut looks. If your hair is
3:13
more expensive the haircut looks. If your hair is very coarse or very curly,
3:16
very coarse or very curly,
3:16
very coarse or very curly, you need to choose the shape carefully so that the volume
3:18
you need to choose the shape carefully so that the volume
3:18
you need to choose the shape carefully so that the volume doesn't go into the width. A textured pixie is
3:21
doesn't go into the width. A textured pixie is
3:21
doesn't go into the width. A textured pixie is perfect for the woman who doesn't want
3:23
perfect for the woman who doesn't want
3:23
perfect for the woman who doesn't want to hide behind her hair. It opens up
3:25
to hide behind her hair. It opens up
3:26
to hide behind her hair. It opens up the face, shows the neck, adds
3:28
the face, shows the neck, adds
3:28
the face, shows the neck, adds character. She didn't give up and cut her hair short
3:31
character. She didn't give up and cut her hair short
3:31
character. She didn't give up and cut her hair short . This is a different message. I know
3:35
. This is a different message. I know
3:35
. This is a different message. I know what suits me. Would you dare to have such a
3:37
what suits me. Would you dare to have such a
3:37
what suits me. Would you dare to have such a pixie cut or is a short haircut
3:40
pixie cut or is a short haircut
3:40
pixie cut or is a short haircut too bold for you? Write in
3:42
too bold for you? Write in
3:42
too bold for you? Write in the comments. Haircut number two.
3:45
the comments. Haircut number two.
3:45
the comments. Haircut number two. Modern bob with a touch of lightness inside. The bob
3:48
Modern bob with a touch of lightness inside. The bob
3:48
Modern bob with a touch of lightness inside. The bob may be the best haircut, but it
3:51
may be the best haircut, but it
3:51
may be the best haircut, but it may also be the most dangerous. It all depends on
3:53
may also be the most dangerous. It all depends on
3:53
may also be the most dangerous. It all depends on how it is made. There is a bob that
3:56
how it is made. There is a bob that
3:56
how it is made. There is a bob that looks elegant, expensive and feminine,
3:59
looks elegant, expensive and feminine,
3:59
looks elegant, expensive and feminine, and then there is a bob that turns into a
4:01
and then there is a bob that turns into a
4:01
and then there is a bob that turns into a heavy, round shape. The hair
4:04
heavy, round shape. The hair
4:04
heavy, round shape. The hair ends exactly at the level of
4:06
ends exactly at the level of
4:06
ends exactly at the level of the chin. The bottom is dense,
4:09
the chin. The bottom is dense,
4:09
the chin. The bottom is dense, the crown is flat, and the face
4:12
the crown is flat, and the face
4:12
the crown is flat, and the face becomes visually wider. It seems neat, but it
4:16
becomes visually wider. It seems neat, but it
4:16
becomes visually wider. It seems neat, but it doesn’t decorate.
4:18
doesn’t decorate.
4:18
doesn’t decorate. Modern Bob must work differently.
4:21
Modern Bob must work differently.
4:21
Modern Bob must work differently. It may have a clear edge, but there
4:24
It may have a clear edge, but there
4:24
It may have a clear edge, but there must be lightness inside. You don't
4:27
must be lightness inside. You don't
4:27
must be lightness inside. You don't want to turn the ends into liquid feathers, but you
4:30
want to turn the ends into liquid feathers, but you
4:30
want to turn the ends into liquid feathers, but you also don't want to leave the hair as a heavy, motionless
4:32
also don't want to leave the hair as a heavy, motionless
4:32
also don't want to leave the hair as a heavy, motionless mass. also impossible.
4:35
mass. also impossible.
4:35
mass. also impossible. The best option is when the outer edge
4:37
The best option is when the outer edge
4:37
The best option is when the outer edge looks dense and well-groomed, and
4:40
looks dense and well-groomed, and
4:40
looks dense and well-groomed, and the stylist removes excess weight from the inside, then the hair
4:43
the stylist removes excess weight from the inside, then the hair
4:43
the stylist removes excess weight from the inside, then the hair does not hang like a wall, does not make the face look heavier,
4:46
does not hang like a wall, does not make the face look heavier,
4:46
does not hang like a wall, does not make the face look heavier, and at the same time does not look sparse. The haircut
4:50
and at the same time does not look sparse. The haircut
4:50
and at the same time does not look sparse. The haircut maintains its shape, but adds
4:52
maintains its shape, but adds
4:53
maintains its shape, but adds movement.
4:54
movement.
4:54
movement. This type of bob can be just below the
4:56
This type of bob can be just below the
4:56
This type of bob can be just below the chin at the jawline or closer to the
4:59
chin at the jawline or closer to the
4:59
chin at the jawline or closer to the collarbone.
5:01
collarbone.
5:01
collarbone. If your face is round or the lower part of your face
5:03
If your face is round or the lower part of your face
5:04
If your face is round or the lower part of your face has become softer, it is better to choose a length
5:06
has become softer, it is better to choose a length
5:06
has become softer, it is better to choose a length slightly below the chin. It creates a
5:09
slightly below the chin. It creates a
5:09
slightly below the chin. It creates a vertical line and elongates the silhouette. The
5:12
vertical line and elongates the silhouette. The
5:12
vertical line and elongates the silhouette. The bob, which is
5:15
bob, which is
5:15
bob, which is slightly longer in the front, looks very nice. This soft
5:18
slightly longer in the front, looks very nice. This soft
5:18
slightly longer in the front, looks very nice. This soft diagonal draws the eye up to the face,
5:21
diagonal draws the eye up to the face,
5:21
diagonal draws the eye up to the face, highlights the cheekbones and gives the shape a
5:23
highlights the cheekbones and gives the shape a
5:23
highlights the cheekbones and gives the shape a modern feel.
5:25
modern feel.
5:25
modern feel. Too sharp an angle can look
5:27
Too sharp an angle can look
5:27
Too sharp an angle can look harsh, and we want a neat, expensive
5:30
harsh, and we want a neat, expensive
5:30
harsh, and we want a neat, expensive line.
5:32
line.
5:32
line. What should I tell the master? Don't just do a
5:35
What should I tell the master? Don't just do a
5:35
What should I tell the master? Don't just do a bob, do it this way. I want a modern bob
5:39
bob, do it this way. I want a modern bob
5:39
bob, do it this way. I want a modern bob without the cap. Keep the density
5:42
without the cap. Keep the density
5:42
without the cap. Keep the density at the edges, but add some lightness inside
5:44
at the edges, but add some lightness inside
5:44
at the edges, but add some lightness inside to keep the hair moving. This phrase
5:47
to keep the hair moving. This phrase
5:47
to keep the hair moving. This phrase helps to avoid severe age-related
5:49
helps to avoid severe age-related
5:50
helps to avoid severe age-related form. This bob is easy to style.
5:53
form. This bob is easy to style.
5:53
form. This bob is easy to style. You can straighten your hair slightly with a hairdryer,
5:56
You can straighten your hair slightly with a hairdryer,
5:56
You can straighten your hair slightly with a hairdryer, curl the ends inwards a little, or
5:58
curl the ends inwards a little, or
5:58
curl the ends inwards a little, or leave them straighter. It looks very nice
6:01
leave them straighter. It looks very nice
6:01
leave them straighter. It looks very nice when one side is tucked behind the
6:04
when one side is tucked behind the
6:04
when one side is tucked behind the ear. The face opens up, the neck line appears
6:07
ear. The face opens up, the neck line appears
6:07
ear. The face opens up, the neck line appears , earrings are visible, and the image becomes a
6:10
, earrings are visible, and the image becomes a
6:10
, earrings are visible, and the image becomes a collection. The good thing about Bob is that he doesn't
6:13
collection. The good thing about Bob is that he doesn't
6:13
collection. The good thing about Bob is that he doesn't shout, he doesn't require courage like a
6:15
shout, he doesn't require courage like a
6:16
shout, he doesn't require courage like a pixie. But if it is done correctly, it
6:19
pixie. But if it is done correctly, it
6:19
pixie. But if it is done correctly, it immediately creates the feeling of a well-groomed
6:21
immediately creates the feeling of a well-groomed
6:21
immediately creates the feeling of a well-groomed woman. not strict, not tired, but
6:24
woman. not strict, not tired, but
6:25
woman. not strict, not tired, but well-groomed.
6:27
well-groomed.
6:27
well-groomed. Do you like this Bob? Dense,
6:29
Do you like this Bob? Dense,
6:29
Do you like this Bob? Dense, neat, but light? Or are you afraid
6:33
neat, but light? Or are you afraid
6:33
neat, but light? Or are you afraid that a bob might make your look too
6:35
that a bob might make your look too
6:35
that a bob might make your look too strict? Write in the comments.
6:38
strict? Write in the comments.
6:38
strict? Write in the comments. Haircut number three. Soft shek. The soft
6:42
Haircut number three. Soft shek. The soft
6:42
Haircut number three. Soft shek. The soft shag is a haircut for those who don't want to
6:44
shag is a haircut for those who don't want to
6:44
shag is a haircut for those who don't want to look too perfect. It has
6:47
look too perfect. It has
6:47
look too perfect. It has movement, air, slight carelessness and
6:51
movement, air, slight carelessness and
6:51
movement, air, slight carelessness and the feeling of living hair. That's why it
6:55
the feeling of living hair. That's why it
6:55
the feeling of living hair. That's why it refreshes the face so well. Many people think
6:58
refreshes the face so well. Many people think
6:58
refreshes the face so well. Many people think that shek is only for young people. But in
7:01
that shek is only for young people. But in
7:01
that shek is only for young people. But in adulthood it can work even
7:04
adulthood it can work even
7:04
adulthood it can work even better, because the face often lacks
7:07
better, because the face often lacks
7:07
better, because the face often lacks not ideal smoothness, but soft
7:09
not ideal smoothness, but soft
7:09
not ideal smoothness, but soft dynamics around it. When hair lies in
7:11
dynamics around it. When hair lies in
7:11
dynamics around it. When hair lies in one heavy mass, the gaze clings
7:14
one heavy mass, the gaze clings
7:14
one heavy mass, the gaze clings to the line of the chin, to the folds, to the
7:17
to the line of the chin, to the folds, to the
7:17
to the line of the chin, to the folds, to the fatigue. And when there are
7:20
fatigue. And when there are
7:20
fatigue. And when there are layers, diagonals, strands, light bangs around the face,
7:23
layers, diagonals, strands, light bangs around the face,
7:24
layers, diagonals, strands, light bangs around the face, the gaze begins to move, the face
7:26
the gaze begins to move, the face
7:26
the gaze begins to move, the face is perceived softer and fresher. A soft
7:29
is perceived softer and fresher. A soft
7:29
is perceived softer and fresher. A soft shag isn't a mess, it's a well-thought-out
7:32
shag isn't a mess, it's a well-thought-out
7:32
shag isn't a mess, it's a well-thought-out cut. Shorter strands on top
7:35
cut. Shorter strands on top
7:35
cut. Shorter strands on top add volume, while the middle layers create
7:38
add volume, while the middle layers create
7:38
add volume, while the middle layers create movement. The ends look lighter, but not
7:41
movement. The ends look lighter, but not
7:41
movement. The ends look lighter, but not runny. Strands of hair appear around the face,
7:44
runny. Strands of hair appear around the face,
7:45
runny. Strands of hair appear around the face, beautifully revealing the cheekbones and eyes. Curtain bangs
7:48
beautifully revealing the cheekbones and eyes. Curtain bangs
7:48
beautifully revealing the cheekbones and eyes. Curtain bangs or soft framing of the
7:51
or soft framing of the
7:51
or soft framing of the face are very important. It shouldn't be a thick wall.
7:54
face are very important. It shouldn't be a thick wall.
7:54
face are very important. It shouldn't be a thick wall. This type of bangs does not cover a woman, but rather
7:57
This type of bangs does not cover a woman, but rather
7:57
This type of bangs does not cover a woman, but rather seems to highlight her face. In the center it
8:00
seems to highlight her face. In the center it
8:00
seems to highlight her face. In the center it can be a little shorter, longer towards the temples
8:03
can be a little shorter, longer towards the temples
8:03
can be a little shorter, longer towards the temples and smoothly transition into the side layers. The shag
8:06
and smoothly transition into the side layers. The shag
8:06
and smoothly transition into the side layers. The shag looks especially good on hair with
8:08
looks especially good on hair with
8:08
looks especially good on hair with natural waves. Then almost
8:11
natural waves. Then almost
8:11
natural waves. Then almost no styling is needed. We dried a little light product
8:14
no styling is needed. We dried a little light product
8:14
no styling is needed. We dried a little light product , fluffed it up with our hands, and the hair already
8:17
, fluffed it up with our hands, and the hair already
8:17
, fluffed it up with our hands, and the hair already looked alive. It is also possible on straight hair
8:20
looked alive. It is also possible on straight hair
8:20
looked alive. It is also possible on straight hair , but the hairdresser must
8:22
, but the hairdresser must
8:22
, but the hairdresser must work carefully with the layers so as not to
8:25
work carefully with the layers so as not to
8:25
work carefully with the layers so as not to remove the thickness. The main mistake is
8:28
remove the thickness. The main mistake is
8:28
remove the thickness. The main mistake is to ask for many layers and not explain
8:31
to ask for many layers and not explain
8:31
to ask for many layers and not explain the result. Sometimes the top is made too
8:34
the result. Sometimes the top is made too
8:34
the result. Sometimes the top is made too short. The bottom is left thin, and instead of a
8:38
short. The bottom is left thin, and instead of a
8:38
short. The bottom is left thin, and instead of a stylish shape, it looks like there is
8:41
stylish shape, it looks like there is
8:41
stylish shape, it looks like there is less hair. A proper shake
8:44
less hair. A proper shake
8:44
less hair. A proper shake should add thickness through
8:46
should add thickness through
8:46
should add thickness through movement. Ask the master to do so. I
8:49
movement. Ask the master to do so. I
8:49
movement. Ask the master to do so. I want a soft, not too choppy cut with
8:53
want a soft, not too choppy cut with
8:53
want a soft, not too choppy cut with movement around the face, bangs, a curtain and
8:56
movement around the face, bangs, a curtain and
8:56
movement around the face, bangs, a curtain and airy ends. Don't make it short on top
8:59
airy ends. Don't make it short on top
8:59
airy ends. Don't make it short on top and have a heavy straight line at the bottom.
9:03
and have a heavy straight line at the bottom.
9:03
and have a heavy straight line at the bottom. This haircut is suitable for women who
9:06
This haircut is suitable for women who
9:06
This haircut is suitable for women who prefer a more casual style: jeans,
9:09
prefer a more casual style: jeans,
9:09
prefer a more casual style: jeans, shirts, soft sweaters, jackets,
9:12
shirts, soft sweaters, jackets,
9:12
shirts, soft sweaters, jackets, comfortable but beautiful clothes. Shek doesn't
9:15
comfortable but beautiful clothes. Shek doesn't
9:15
comfortable but beautiful clothes. Shek doesn't make the look too formal. It
9:18
make the look too formal. It
9:18
make the look too formal. It adds life, and sometimes that's exactly what's
9:21
adds life, and sometimes that's exactly what's
9:22
adds life, and sometimes that's exactly what's missing. Do you like these
9:24
missing. Do you like these
9:24
missing. Do you like these lively, slightly loose hairstyles or do you
9:27
lively, slightly loose hairstyles or do you
9:28
lively, slightly loose hairstyles or do you prefer smooth and neat
9:30
prefer smooth and neat
9:30
prefer smooth and neat styling? Write below. Haircut number
9:33
styling? Write below. Haircut number
9:33
styling? Write below. Haircut number four. Soft layers on medium to
9:37
four. Soft layers on medium to
9:37
four. Soft layers on medium to long lengths. There is a myth that
9:39
long lengths. There is a myth that
9:40
long lengths. There is a myth that has ruined many beautiful images. At
9:43
has ruined many beautiful images. At
9:43
has ruined many beautiful images. At a certain age, long hair is
9:45
a certain age, long hair is
9:45
a certain age, long hair is no longer acceptable. In fact, you can’t have long
9:49
no longer acceptable. In fact, you can’t have long
9:49
no longer acceptable. In fact, you can’t have long hair, you can’t have heavy, dry,
9:52
hair, you can’t have heavy, dry,
9:52
hair, you can’t have heavy, dry, shapeless hair that just
9:55
shapeless hair that just
9:55
shapeless hair that just hangs down and takes away the freshness from your face.
9:58
hangs down and takes away the freshness from your face.
9:58
hangs down and takes away the freshness from your face. Length itself does not age.
10:01
Length itself does not age.
10:01
Length itself does not age. Lack of shape makes you look older. If your hair is well-groomed,
10:05
Lack of shape makes you look older. If your hair is well-groomed,
10:05
Lack of shape makes you look older. If your hair is well-groomed, not too thin at the ends and
10:07
not too thin at the ends and
10:07
not too thin at the ends and looks good in quality, it is not necessary to
10:10
looks good in quality, it is not necessary to
10:10
looks good in quality, it is not necessary to cut it drastically. Sometimes just
10:12
cut it drastically. Sometimes just
10:12
cut it drastically. Sometimes just adding soft layers can change the whole look of your hairstyle
10:15
adding soft layers can change the whole look of your hairstyle
10:15
adding soft layers can change the whole look of your hairstyle . Hair
10:18
. Hair
10:18
. Hair stops being a heavy curtain and
10:20
stops being a heavy curtain and
10:20
stops being a heavy curtain and becomes a beautiful frame for the face.
10:23
becomes a beautiful frame for the face.
10:23
becomes a beautiful frame for the face. The best option is when the first
10:25
The best option is when the first
10:25
The best option is when the first soft strands start from the cheekbones
10:28
soft strands start from the cheekbones
10:28
soft strands start from the cheekbones or slightly lower. They should not be a
10:31
or slightly lower. They should not be a
10:31
or slightly lower. They should not be a short, sharp ladder. They should
10:33
short, sharp ladder. They should
10:33
short, sharp ladder. They should smoothly transition into the overall length. Then
10:36
smoothly transition into the overall length. Then
10:36
smoothly transition into the overall length. Then the face is softly framed, the cheekbones become
10:39
the face is softly framed, the cheekbones become
10:39
the face is softly framed, the cheekbones become more visible, and the lower part of the face looks
10:42
more visible, and the lower part of the face looks
10:42
more visible, and the lower part of the face looks lighter. If your hair is all one length and all the
10:46
lighter. If your hair is all one length and all the
10:46
lighter. If your hair is all one length and all the weight is at the bottom, the crown quickly
10:49
weight is at the bottom, the crown quickly
10:49
weight is at the bottom, the crown quickly becomes flat, the face looks
10:51
becomes flat, the face looks
10:51
becomes flat, the face looks lower, and even a good length
10:54
lower, and even a good length
10:54
lower, and even a good length starts to work against you. And when
10:57
starts to work against you. And when
10:57
starts to work against you. And when the weight is distributed in layers,
10:59
the weight is distributed in layers,
10:59
the weight is distributed in layers, movement appears. Hair looks lighter, thicker and more
11:03
movement appears. Hair looks lighter, thicker and more
11:03
movement appears. Hair looks lighter, thicker and more expensive. Soft layers are especially good for
11:06
expensive. Soft layers are especially good for
11:06
expensive. Soft layers are especially good for those with medium to
11:08
those with medium to
11:08
those with medium to thick or slightly wavy hair.
11:12
thick or slightly wavy hair.
11:12
thick or slightly wavy hair. If your hair is very fine, you need to layer it
11:15
If your hair is very fine, you need to layer it
11:15
If your hair is very fine, you need to layer it carefully. It is better to keep the
11:18
carefully. It is better to keep the
11:18
carefully. It is better to keep the edge tight and add only
11:21
edge tight and add only
11:21
edge tight and add only a few soft strands near the face. It's a
11:23
a few soft strands near the face. It's a
11:23
a few soft strands near the face. It's a big mistake to go to a salon and
11:25
big mistake to go to a salon and
11:25
big mistake to go to a salon and say, "Just get a trim."
11:28
say, "Just get a trim."
11:28
say, "Just get a trim." The ends will become neater, but the shape will not
11:31
The ends will become neater, but the shape will not
11:31
The ends will become neater, but the shape will not change. It’s better to say: “I want to
11:34
change. It’s better to say: “I want to
11:34
change. It’s better to say: “I want to keep the length, but add a soft
11:37
keep the length, but add a soft
11:37
keep the length, but add a soft movement near the face and remove the heaviness at the bottom.
11:40
movement near the face and remove the heaviness at the bottom.
11:40
movement near the face and remove the heaviness at the bottom. The styling can be simple. Slightly
11:43
The styling can be simple. Slightly
11:43
The styling can be simple. Slightly direct the front strands away from the face or
11:46
direct the front strands away from the face or
11:46
direct the front strands away from the face or curl them with a brush. Light
11:48
curl them with a brush. Light
11:48
curl them with a brush. Light movement often looks fresher than
11:51
movement often looks fresher than
11:51
movement often looks fresher than perfect smoothness. But there is an important
11:54
perfect smoothness. But there is an important
11:54
perfect smoothness. But there is an important rule. Long hair should look
11:58
rule. Long hair should look
11:58
rule. Long hair should look well-groomed at the ends. If the ends are dry,
12:01
well-groomed at the ends. If the ends are dry,
12:01
well-groomed at the ends. If the ends are dry, transparent, thinned, they immediately
12:04
transparent, thinned, they immediately
Cette transcription a été générée par l'IA (reconnaissance automatique de la parole). Peut contenir des erreurs — vérifier par rapport à l'audio original pour une utilisation critique. Politique de l'IA
Résumé
Cliquez sur Résumer pour générer un résumé AI de cette transcription.
Résumant...
Demandez à l'IA à propos de cette transcription
Demandez quoi que ce soit au sujet de cette transcription — l'IA trouvera des sections pertinentes et des réponses.